Grateful Dead
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http://www.dead.net
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|
Date |
Venue - City, State |
Media |
|
1. |
11/03/65 |
Golden State Studios - San Francisco,
CA |
Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon
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|
2. |
01/08/66 |
Fillmore Auditorium - San Francisco,
CA |
part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown both for whole set and for this date
|
notes
|
3. |
01/28/66 |
The Matrix - San Francisco,
CA |
sbdreel.GEMS.oldneumanntapr.t-flac
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|
4. |
01/29/66 |
Sound City Acid Test - San Francisco,
CA |
part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown are for whole set and for this date
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|
5. |
02/12/66 |
Youth Opportunities Center - Compton,
CA |
sbdreel.GEMS.oldneumanntapr.t-flac
|
notes
|
6. |
02/25/66 |
Ivar Theater - Los Angeles,
CA |
sbdreel.unknown.oldneumanntqapr.t-flac
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|
7. |
03/12/66 |
Danish Center - Los Angeles,
CA |
MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such
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|
8. |
03/19/66 |
Carthay Studios - Los Angeles,
CA |
flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton
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|
9. |
03/25/66 |
Trouper's Hall - Los Angeles,
CA |
sbd.bear.oldneumanntapr.t-flac8
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|
10. |
04/22/66 |
Longshoreman's Hall - San Francisco,
CA |
sbdreel.GEMS.oldneumanntapr.t-flac
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|
11. |
04/24/66 |
Longshoreman's Hall - San Francisco,
CA |
sbdreel.unknown.oldneumanntapr.t-flac
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|
12. |
05/19/66 |
Avalon Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683
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|
13. |
07/03/66 |
Fillmore Auditorium - San Francisco,
CA |
with 3/25/66; see notes in info file; to abgd, later to etree
|
notes
|
14. |
07/16/66 |
Fillmore Auditorium - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063
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|
15. |
07/17/66 |
Fillmore Auditorium - San Francisco,
CA |
SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller
|
notes
|
16. |
07/29/66 |
P.N.E. Garden Auditorium - Vancouver,
BC |
sbdreel.unknown.oldneumanntapr.t-flac
|
notes
|
17. |
07/29/66 |
P.N.E. Garden Auditorium - Vancouver,
BC |
sbdreel.unknown.oldneumanntapr.t-flac
|
notes
|
18. |
07/31/66 |
P.N.E. Garden Auditorium - Vancouver,
BC |
sbdreel.GEMS.oldneumanntapr.t-flac
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|
19. |
11/19/66 |
Fillmore Auditorium - San Francisco,
CA |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
20. |
11/29/66 |
The Matrix - San Francisco,
CA |
SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added.
|
notes
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21. |
12/01/66 |
The Matrix - San Francisco,
CA |
remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host
|
notes
|
22. |
??/??/66 |
Various - Various,
Compilation |
flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC
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|
23. |
01/14/67 |
Polo Field, Golden Gate Park - San Francisco,
CA |
SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
24. |
03/18/67 |
Winterland Arena - San Francisco,
CA |
MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation
|
notes
|
25. |
05/05/67 |
Fillmore Auditorium - San Francisco,
CA |
flac16; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
|
26. |
06/18/67 |
Monterey County Fairgrounds - Monterey,
CA |
flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper
|
|
27. |
08/04/67 |
O'Keefe Center - Toronto,
ON |
Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation
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|
28. |
09/03/67 |
Dance Hall - Rio Nido,
CA |
previous shn set with "original mix Midnight Hour" via Terrapin Station
|
notes
|
29. |
10/20/67 |
American Studios - North Hollywood,
CA |
flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac
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|
30. |
10/22/67 |
Winterland Arena - San Francisco,
CA |
SBD -> Rm -> Cass -> Dat via Charlie Miller
|
notes
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31. |
11/10/67 |
Shrine Exposition Hall - Los Angeles,
CA |
MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando
|
notes
|
32. |
11/11/67 |
Shrine Exhibition Hall - Los Angeles,
CA |
MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando
|
notes
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33. |
11/14/67 |
American Studios - North Hollywood,
CA |
flac24; SBD > ? > FLAC
The Shrine Reels
Taped by: Dan Healy
Transfer By: Matt Smith & Bob Menke
Mastering By: Derek McCabe
|
|
34. |
11/??/67 |
Studio Sessions for Anthem of the Sun - Unknown,
CA |
flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave >
TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
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|
35. |
01/17/68 |
Carousel Ballroom - San Francisco,
CA |
SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman
|
notes
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36. |
01/20/68 |
The Eureka Municipal Auditorium - Eureka,
CA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
37. |
01/22/68 |
Eagles Auditorium - Seattle,
WA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
38. |
01/23/68 |
Eagles Auditorium - Seattle,
WA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
39. |
01/27/68 |
Eagles Auditorium - Seattle,
WA |
flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k);
Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
40. |
02/03/68 |
The Crystal Ballroom - Portland,
OR |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
41. |
02/14/68 |
Carousel Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info:
FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)
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|
42. |
03/16/68 |
Carousel Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
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|
43. |
03/17/68 |
Carousel Ballroom - San Francisco,
CA |
sbd.dlseries#06.flac
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|
44. |
05/18/68 |
Santa Clara County Fairgrounds - San Jose,
CA |
flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros
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|
45. |
08/21/68 |
Fillmore West - San Francisco,
CA |
MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file
|
notes
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46. |
08/22/68 |
Fillmore West - San Francisco,
CA |
flac16; Source: Soundboard Reels > ? > DAT
Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz]
Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 >
AudioGate to [16/44.1] > CD Wave > TLH > Flac
Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008
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|
47. |
08/23/68 |
Shrine Exposition Hall - Los Angeles,
CA |
flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT Mastering Info: Samplitude Pro X5 > Flac16
Source provided by Anon Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel
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48. |
08/24/68 |
Shrine Exposition Hall - Los Angeles,
CA |
sbd.twofromthevault.flac
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49. |
08/28/68 |
Avalon Ballroom - San Francisco,
CA |
flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC
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50. |
09/02/68 |
Betty Nelson's Organic Raspberry Farm - Sultan,
WA |
flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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51. |
10/08/68 |
The Matrix - San Francisco,
CA |
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52. |
10/20/68 |
Greek Theatre, U. Of California - Berkeley,
CA |
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD
Charlie Miller
charliemiller87@earthlink.net
shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.
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53. |
11/06/68 |
Pacific High Recording - San Mateo,
CA |
flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell
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54. |
01/17/69 |
Robertson Gym, U.C.S.B. - Santa Barbara,
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
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55. |
01/18/69 |
Playboy Club - West Hollywood,
CA |
flac16; Source: PCM wav audio from U.K. Mutt's DVD release
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56. |
01/24/69 |
Avalon Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640
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57. |
01/25/69 |
Avalon Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
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58. |
01/26/69 |
Avalon Ballroom - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
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59. |
02/07/69 |
Stanley Theater (Early, Late) - Pittsburgh,
PA |
flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick
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60. |
02/11/69 |
Fillmore East (Early show) - New York,
NY |
sbd.unknown.flac
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|
61. |
02/11/69 |
Fillmore East (Late show) - New York,
NY |
sbd.unknown.flac
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|
62. |
02/15/69 |
Electric Factory - Philadelphia,
PA |
MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.
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notes
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63. |
02/21/69 |
Dream Bowl - Vallejo,
CA |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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64. |
02/22/69 |
Dream Bowl - Vallejo,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
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65. |
02/27/69 |
Fillmore West - San Francisco,
CA |
16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin
|
notes
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66. |
02/28/69 |
Fillmore West - San Francisco,
CA |
16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks
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|
67. |
03/01/69 |
Fillmore West - San Francisco,
CA |
SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster)
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68. |
03/02/69 |
Fillmore West - San Francisco,
CA |
sbd.fwcomplete.flac
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|
69. |
03/15/69 |
Hilton Hotel - San Francisco,
CA |
MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan
|
notes
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70. |
03/28/69 |
Student Center, Modesto Jr. College - Modesto,
CA |
flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)
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71. |
03/29/69 |
Ice Palace - Las Vegas,
NV |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
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72. |
04/04/69 |
Avalon Ballroom - San Francisco,
CA |
Source: SBD>FM>MR>C1>DAT>CD
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73. |
04/05/69 |
Avalon Ballroom - San Francisco,
CA |
Recording Info:
SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN
Conversion By Charlie Miller
|
notes
|
74. |
04/06/69 |
Avalon Ballroom - San Francisco,
CA |
SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman
|
notes
|
75. |
04/12/69 |
Student Union Ballroom, University of Utah - Salt Lake City,
UT |
SBD>MC>C>D>CD>EAC>SHN;
pitch corrected & normalized;
edits/encoding by JCotsman
|
|
76. |
04/13/69 |
Ballroom, U. of Co. - Boulder,
CO |
flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
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77. |
04/15/69 |
The Music Box - Omaha,
NE |
flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) ->
Alesis Masterlink 9600 -> Hard Drive -> CD
patched with SBD>Cm>Cass>Dat>CD.
Remastered by Charlie Miller
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|
78. |
04/17/69 |
Washington University - St. Louis,
MO |
sbd.dlseries#12.flac
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|
79. |
04/18/69 |
Memorial Union Ballroom, Purdue U. - Lafayette,
IN |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
80. |
04/20/69 |
Clark University - Worcester,
MA |
complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch
|
notes
|
81. |
04/21/69 |
The Ark - Boston,
MA |
Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN
|
|
82. |
04/22/69 |
The Ark - Boston,
MA |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
83. |
04/23/69 |
The Ark - Boston,
MA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
84. |
04/26/69 |
Electric Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
85. |
05/03/69 |
Winterland Arena - San Francisco,
CA |
flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
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|
86. |
05/07/69 |
Polo Field, Golden Gate Park - San Francisco,
CA |
retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine
|
notes
|
87. |
05/11/69 |
Aztec Bowl, San Diego State U. - San Diego,
CA |
FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file
|
notes
|
88. |
05/24/69 |
Seminole Indian Village - Hollywood,
FL |
SB>MR>??> CD; See info file for editing notes; Unknown seeder
|
|
89. |
05/30/69 |
Springer's Inn - Portland,
OR |
flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k)
All Transfers and Mastering By Charlie Miller
|
|
90. |
05/31/69 |
McArthur Court, University of Oregon - Eugene,
OR |
SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled
to fit on 2 discs, but songs can be moved to proper order for 3 discs;
see info file for flaw notes
|
|
91. |
06/05/69 |
Fillmore West - San Francisco,
CA |
SBD>MC>C>D>CD>EAC>SHN;
pitch corrected;
patch in Cryptical Reprise from alt sbd;
edits/encoding by JCotsman
|
notes
|
92. |
06/06/69 |
Fillmore West - San Francisco,
CA |
SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman
|
notes
|
93. |
06/07/69 |
Fillmore West - San Francisco,
CA |
MR > DAT > CD > EAC > Cool Edit 96
(Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan
|
notes
|
94. |
06/08/69 |
Fillmore West - San Francisco,
CA |
set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman
|
notes
|
95. |
06/11/69 |
California Hall - San Francisco,
CA |
flac16/44.1khz Lineage: Master Audience Reel @ 3.75 ips>Reel>A>Reel>A>A>A
Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644
|
|
96. |
06/13/69 |
Fresno Convention Center - Fresno,
CA |
Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella
|
|
97. |
06/14/69 |
Monterey Performing Arts Center - Monterey,
CA |
SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner
|
notes
|
98. |
06/21/69 |
Fillmore East (Late) - New York,
NY |
early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman
|
|
99. |
06/27/69 |
Veterans Auditorium - Santa Rosa,
CA |
SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano
|
notes
|
100. |
06/28/69 |
Veterans Auditorium - Santa Rosa,
CA |
SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano
|
notes
|
101. |
07/03/69 |
Reed's Ranch - Colorado Springs,
CO |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
102. |
07/07/69 |
Piedmont Park - Atlanta,
GA |
flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
103. |
07/11/69 |
NY State Pavilion, Flushing Meadows Park - Queens,
NY |
flac16; SBD Recording Info: Pat Lee from Dick Latvala MC > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
|
104. |
07/12/69 |
NY State Pavilion, Flushing Meadows Park - Queens,
NY |
d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes
|
notes
|
105. |
08/02/69 |
Family Dog at the Great Highway - San Francisco,
CA |
flac16; SBD -> Cassette Master -> Dat
Transferred and Edited By Charlie Miller
|
|
106. |
08/03/69 |
Family Dog at the Great Highway - San Francisco,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller
|
|
107. |
08/16/69 |
Max Yasgur's Farm - Bethel,
NY |
flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer
Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source)
|
|
108. |
08/21/69 |
Aqua Theater - Seattle,
WA |
SBD>MC>C>D>CD>EAC>SHN;
complete show;
edits/encoding by JCotsman
|
|
109. |
08/23/69 |
Pelletier Farm - St. Helens,
OR |
flac1644 Recording Info:
SBD > Cassette Master > Cassette > Dat (48k) > CDR > SHN > wav
Lineage:
wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16
Mastered by Daniel sbd.daniel.goody.remaster.flac1644
|
notes
|
110. |
08/30/69 |
Family Dog at the Great Highway - San Francisco,
CA |
Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella
|
|
111. |
09/01/69 |
Baton Rouge International Speedway - Prairieville,
LA |
SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06
|
|
112. |
09/06/69 |
Family Dog at the Great Highway - San Francisco,
CA |
flac16; Restored version of Grateful Dead portion of source ID 16608; Lineage given in shnid 16608: Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD->EAC->SHN->CD->EAC->SHN; corrected the speed, and restored the crispness of the recording with a multifilter (spectral filter, two virtual valve simulators for harmonics, channel blender set to mono below 125Hz)using Diamond Cut Forensics 8.5.
|
|
113. |
09/07/69 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney
|
notes
|
114. |
10/25/69 |
Winterland Arena - San Francisco,
CA |
SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell ,
edited by David Gans; via R. Jagla
|
notes
|
115. |
10/31/69 |
San Jose State University - San Jose,
CA |
SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai
|
|
116. |
11/02/69 |
Family Dog at the Great Highway - San Francisco,
CA |
Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.
|
|
117. |
11/07/69 |
Fillmore Auditorium - San Francisco,
CA |
flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
118. |
11/08/69 |
Fillmore Auditorium - San Francisco,
CA |
This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it
|
notes
|
119. |
11/15/69 |
Lanai Theater - Crockett,
CA |
SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference
|
|
120. |
12/04/69 |
Fillmore West - San Francisco,
CA |
Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04
|
|
121. |
12/10/69 |
Thelma Theater - Los Angeles,
CA |
MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file
|
|
122. |
12/12/69 |
Thelma Theater - Los Angeles,
CA |
MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file
|
notes
|
123. |
12/19/69 |
Fillmore Auditorium - San Francisco,
CA |
Recording Info:
SBD > Master Reel (7inch 7.5ips 1/2trk) > DAT
Transfer Info:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
(2 Discs Audio / 1 Disc FLAC)
|
|
124. |
12/26/69 |
McFarlin Auditorium, Southern Methodist Univ. - Dallas,
TX |
flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans
|
|
125. |
12/29/69 |
Boston Tea Party - Boston,
MA |
SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR
|
|
126. |
12/30/69 |
Boston Tea Party - Boston,
MA |
Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
|
notes
|
127. |
12/31/69 |
Boston Tea Party - Boston,
MA |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
128. |
01/02/70 |
Fillmore East early show - New York,
NY |
complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno
|
notes
|
129. |
01/03/70 |
Fillmore East (Late Show) - New York,
NY |
flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.
|
|
130. |
01/10/70 |
Golden Hall - San Diego,
CA |
flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
|
131. |
01/16/70 |
Springer's Inn Portland - Portland,
OR |
sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow
|
notes
|
132. |
01/17/70 |
Gill Coliseum, Oregon State University - Corvallis,
OR |
SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman
|
notes
|
133. |
01/18/70 |
Springer's Inn - Gresham,
OR |
sbd.bear.norman.dlseries#02.flac
|
|
134. |
01/23/70 |
Honolulu Civic Auditorium - Honolulu,
HI |
Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor
|
notes
|
135. |
01/24/70 |
Honolulu Civic Auditorium - Honolulu,
HI |
SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton
|
notes
|
136. |
01/30/70 |
The Warehouse - New Orleans,
LA |
SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon
|
notes
|
137. |
01/31/70 |
The Warehouse - New Orleans,
LA |
SBD>MR>C>D>CD>EAC>SHN
7inch Master Reel@7.5ips
SBE fix of shn ID 7045; shntool was used to fix sector boundary errors and seek tables were appended.
|
|
138. |
02/01/70 |
The Warehouse - New Orleans,
LA |
SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan
|
notes
|
139. |
02/04/70 |
Family Dog at the Great Highway - San Francisco,
CA |
sbd.norman.dlseries#09A.flac
|
|
140. |
02/06/70 |
Fillmore West - San Francisco,
CA |
SBD> MR> C> D> CD; via Don Bean
|
|
141. |
02/07/70 |
Fillmore West - San Francisco,
CA |
SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment
|
notes
|
142. |
02/08/70 |
Fillmore West - San Francisco,
CA |
composite: AUD>MC>R>PCM>D>CD>EAC>SHN;
SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW;
Thanks to Andy Lemieux
|
|
143. |
02/11/70 |
Fillmore East (late show) - New York,
NY |
flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC
|
|
144. |
02/12/70 |
Ungano's Night Club - New York,
NY |
SBD > 8 TRACK 1" RTR @ 7.5 I.P.S. > MASTER ARCHIVE 24-BIT D > SSSB (note: a SBE fixed file set also circulates)
|
notes
|
145. |
02/13/70 |
Fillmore East (Late Show) - New York,
NY |
flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)
|
|
146. |
02/14/70 |
Fillmore East - New York,
NY |
flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
147. |
02/23/70 |
The Auditorium - Austin,
TX |
SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
|
148. |
02/27/70 |
Family Dog at the Great Highway - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller
|
|
149. |
02/28/70 |
Family Dog at the Great Highway - San Francisco,
CA |
SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
|
notes
|
150. |
03/01/70 |
Family Dog at the Great Highway - San Francisco,
CA |
flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015
|
|
151. |
03/07/70 |
Civic Auditorium - Santa Monica,
CA |
low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes
|
notes
|
152. |
03/08/70 |
Star Theatre - Phoenix,
AZ |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD;
Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
153. |
03/20/70 |
Capitol Theater - Port Chester,
NY |
mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz
|
notes
|
154. |
03/21/70 |
Capitol Theater (Early) - Port Chester,
NY |
early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
|
notes
|
155. |
03/21/70 |
Capitol Theater (Late) - Port Chester,
NY |
flac16; Late Show: Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Lineage: CD > Wavelab 6 > wav 16/44.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; further editing by John Hance and myself; remastered by SIRMick January 2019
|
|
156. |
03/24/70 |
Pirates World - Dania,
FL |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
|
|
157. |
04/03/70 |
Field House, U. of Cincinnati - Cincinnati,
OH |
flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
|
158. |
04/09/70 |
Fillmore West - San Francisco,
CA |
complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes
|
notes
|
159. |
04/12/70 |
Fillmore West - San Francisco,
CA |
combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan
|
notes
|
160. |
04/15/70 |
Winterland Arena - San Francisco,
CA |
flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address tagging errors. Please don't circulate the original fileset.)
|
|
161. |
04/24/70 |
Mammoth Gardens - Denver,
CO |
MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis
|
|
162. |
05/01/70 |
Alfred College - Alfred,
NY |
flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
163. |
05/02/70 |
Harpur College - Binghamton,
NY |
flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
164. |
05/03/70 |
Field House, Wesleyan University - Middletown,
CT |
AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)
|
|
165. |
05/03/70 |
Field House, Wesleyan University - Middletown,
CT |
flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac
|
|
166. |
05/06/70 |
Kresge Plaza, M.I.T. - Cambridge,
MA |
flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz]
Rate Conversion: AudioGate to [24bit/96 khz]
Mastering: In WaveLab with Nomad Factory Plugins
Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac
Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from
WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky
|
|
167. |
05/07/70 |
Dupont Gymnasium, MIT - Cambridge,
MA |
main source: AudMC > ? > 7" R > DAT > HD > SHN
Taper, mics, and deck unknown
A > D transfer by Noah Weiner - noahbw@home.com
This is a remaster of shnid 5439. See text file for full details
|
|
168. |
05/09/70 |
Worcester Polytechnic Institute - Worcester,
MA |
Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
169. |
05/14/70 |
Meramec Community College - Kirkwood,
MO |
SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set);
complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters;
Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman
|
|
170. |
05/15/70 |
Fillmore East (Late Show) - New York,
NY |
acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2
> CDR, except the NRPS sets which have 2 cass gens; this is apparently
the best possible available copy- one fewer cass gen than first etreed
version, complete NRPS 2nd set, less hifreq hiss; more details in info
file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did
very minor editing, mostly putting tasteful fades where there were cuts
in the original- no NR
|
|
171. |
05/24/70 |
Newcastle-Under-Lyme - Newcastle,
England |
SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes
|
notes
|
172. |
06/04/70 |
Fillmore West - San Francisco,
CA |
flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
|
|
173. |
06/05/70 |
Fillmore West - San Francisco,
CA |
flac16; Source: Soundboard (except where patched with low gen AUD as noted)
Lineage: MSR> CASS> DAT> CDR> EAC> FLAC
|
|
174. |
06/06/70 |
Fillmore West - San Francisco,
CA |
flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.
|
notes
|
175. |
06/06/70 |
Fillmore West - San Francisco,
CA |
flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
176. |
06/07/70 |
Fillmore West - San Francisco,
CA |
acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
|
notes
|
177. |
06/13/70 |
Red Vest - Oahu,
HI |
Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli
|
notes
|
178. |
06/21/70 |
Pauley Ballroom, U. of California - Berkeley,
CA |
AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes
|
notes
|
179. |
06/24/70 |
Capitol Theater (Late) - Port Chester,
NY |
flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009
|
|
180. |
07/11/70 |
Fillmore East - New York,
NY |
AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman
|
|
181. |
07/12/70 |
Fillmore East - New York,
NY |
flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details
|
|
182. |
07/14/70 |
Euphoria Ballroom - San Rafael,
CA |
sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030
|
|
183. |
07/16/70 |
Euphoria Ballroom - San Rafael,
CA |
Set 2; SBD>MR>?>C>CD>SHN
|
notes
|
184. |
07/16/70 |
Euphoria Ballroom - San Rafael,
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
|
|
185. |
07/30/70 |
Lion's Share - San Anselmo,
CA |
SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman
|
notes
|
186. |
08/05/70 |
Golden Hall Community Concourse - San Diego,
CA |
MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile
|
notes
|
187. |
08/18/70 |
Fillmore West - San Francisco,
CA |
flac16/48kHz; Unknown Audience Cassette > FLAC
|
|
188. |
08/19/70 |
Fillmore West - San Francisco,
CA |
flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC
|
|
189. |
09/17/70 |
Fillmore East - New York,
NY |
remaster of shnid 16090, by SIRMick
|
|
190. |
09/19/70 |
Fillmore East - New York,
NY |
flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473)
edited, mixed and converted by Chris Chappell
|
notes
|
191. |
09/19/70 |
Fillmore East - New York,
NY |
flac16; Set 1 Source unknown, thought to be Jack Toner's audience recording; Lineage: AUD > ?? > CD WAV > FLAC
|
|
192. |
09/20/70 |
Fillmore East - New York,
NY |
This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone
|
|
193. |
10/04/70 |
Winterland Arena - San Francisco,
CA |
KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles
|
notes
|
194. |
10/10/70 |
Colden Auditorium - Queens College - Flushing,
NY |
flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019
|
|
195. |
10/17/70 |
Cleveland Music Hall - Cleveland,
OH |
flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
196. |
10/23/70 |
McDonough Arena, Georgetown U. - Washington,
DC |
flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe
|
|
197. |
10/24/70 |
Kiel Opera House - St. Louis,
MO |
flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
|
198. |
10/30/70 |
Gym, SUNY (Late Show) - Stony Brook,
NY |
SBD>MR>PCM>D>CD>EAC>SHN;
complete early/late shows via Jeff Cotsman
|
notes
|
199. |
10/31/70 |
Gym, S.U.N.Y. (Early) - Stony Brook,
NY |
flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller
|
|
200. |
11/05/70 |
Capitol Theater - Port Chester,
NY |
Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN
|
|
201. |
11/06/70 |
Capitol Theater - Port Chester,
NY |
Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone
|
|
202. |
11/07/70 |
Capitol Theater - Port Chester,
NY |
Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner
|
|
203. |
11/08/70 |
Capitol Theater - Port Chester,
NY |
AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner
|
notes
|
204. |
11/08/70 |
Capitol Theater - Port Chester,
NY |
flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition
|
notes
|
205. |
11/09/70 |
Action House - Island Park,
NY |
AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes
|
|
206. |
11/11/70 |
46th Street Rock Palace - Brooklyn,
NY |
flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick
|
|
207. |
11/16/70 |
Fillmore East - New York,
NY |
SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70).
|
notes
|
208. |
11/20/70 |
The Palestra, U. of Rochester - Rochester,
NY |
AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook
|
notes
|
209. |
11/29/70 |
Club Agora - Columbus,
OH |
AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes
|
notes
|
210. |
12/12/70 |
Santa Rosa Fairgrounds - Santa Rosa,
CA |
sbd.unknoen.flac
|
notes
|
211. |
12/23/70 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
212. |
12/26/70 |
Legion Stadium - El Monte,
CA |
flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369
|
|
213. |
12/27/70 |
Legion Stadium - El Monte,
CA |
SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat ->
CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller
|
notes
|
214. |
12/28/70 |
Legion Stadium - El Monte,
CA |
DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin
|
|
215. |
12/31/70 |
Winterland Arena (aftershow) - San Francisco,
CA |
"aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed
|
notes
|
216. |
12/31/70 |
Winterland Arena - San Francisco,
CA |
Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH)
|
notes
|
217. |
01/21/71 |
Freeborn Hall, University of California - Davis,
CA |
flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
|
218. |
01/24/71 |
Seattle Center Arena - Seattle,
WA |
SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.
|
notes
|
219. |
02/18/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
|
|
220. |
02/19/71 |
Capitol Theatre - Port Chester,
NY |
flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and
encoded by Chris Chappell.
|
|
221. |
02/20/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
|
|
222. |
02/21/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering:
Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
|
|
223. |
02/23/71 |
Capitol Theater - Port Chester,
NY |
flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info:
CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
224. |
02/24/71 |
Capitol Theater - Port Chester,
NY |
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
|
|
225. |
03/03/71 |
Fillmore West - San Francisco,
CA |
SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.
|
notes
|
226. |
03/14/71 |
Camp Randall Field House, University of Wisconsin - Madison,
WI |
Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1
|
notes
|
227. |
03/18/71 |
Fox Theatre - St. Louis,
MO |
SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke
|
notes
|
228. |
03/20/71 |
University of Iowa - Iowa City,
IA |
SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella
|
notes
|
229. |
03/21/71 |
Exposition Center - Milwaukee,
WI |
AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman
|
notes
|
230. |
03/24/71 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller
|
|
231. |
04/04/71 |
Manhattan Center - New York,
NY |
flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
|
|
232. |
04/05/71 |
Manhattan Center - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller
|
|
233. |
04/06/71 |
Manhattan Center - New York,
NY |
7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
|
notes
|
234. |
04/07/71 |
Music Hall - Boston,
MA |
Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix
|
|
235. |
04/08/71 |
Music Hall - Boston,
MA |
flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
|
|
236. |
04/10/71 |
East Hall, Franklin & Marshall College - Lancaster,
PA |
SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy
|
notes
|
237. |
04/12/71 |
Civic Arena - Pittsburgh,
PA |
flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD
Transferred By Charlie Miller
|
|
238. |
04/13/71 |
Catholic Youth Center - Scranton,
PA |
flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6)
|
|
239. |
04/14/71 |
Davis Gymnasium - Lewisburg,
PA |
flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014
|
|
240. |
04/15/71 |
Allegheny College - Meadville,
PA |
SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)
|
notes
|
241. |
04/17/71 |
Dillon Gym, Princeton University - Princeton,
NJ |
flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobin
|
|
242. |
04/18/71 |
Lusk Field House, S.U.C.N.Y - Cortland,
NY |
SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes
|
|
243. |
04/21/71 |
Rhode Island Auditorium - Providence,
RI |
MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan
|
|
244. |
04/22/71 |
Bangor Municipal Auditorium - Bangor,
ME |
Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree
|
|
245. |
04/24/71 |
Wallace Wade Stadium, Duke University - Durham,
NC |
sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file
|
|
246. |
04/25/71 |
Fillmore East - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
247. |
04/26/71 |
Fillmore East - New York,
NY |
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
248. |
04/27/71 |
Fillmore East - New York,
NY |
flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) ->
Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One:
Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
|
249. |
04/28/71 |
Fillmore East - New York,
NY |
flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller
|
|
250. |
04/29/71 |
Fillmore East - New York,
NY |
flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit ->
Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
|
251. |
05/29/71 |
Winterland Arena - San Francisco,
CA |
source 1: AUD>M?>C>CD>EAC>SHN;
source 2: AUD>M?>C>D>SHN;
see caveat for sound quality;
Thanks to Jim Powell and others
|
|
252. |
05/30/71 |
Winterland Arena - San Francisco,
CA |
flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k)
Transferred and Edited By Charlie Miller
|
|
253. |
06/21/71 |
Chateau D'Herouville - Herouville,
France |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
254. |
07/02/71 |
Fillmore West - San Francisco,
CA |
Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)
|
|
255. |
07/31/71 |
Yale Bowl, Yale University - New Haven,
CT |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
256. |
08/04/71 |
Terminal Island Correctional Fac. - San Pedro,
CA |
flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
257. |
08/05/71 |
Hollywood Palladium - Hollywood,
CA |
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
258. |
08/06/71 |
Hollywood Palladium - Hollywood,
CA |
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
259. |
08/14/71 |
Berkeley Community Theater - Berkeley,
CA |
Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski.
Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner
Another installment of TMNSP, 12/03.
|
|
260. |
08/15/71 |
Berkeley Community Theater - Berkeley,
CA |
Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner
|
notes
|
261. |
08/23/71 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
262. |
08/26/71 |
Gaelic Park - Bronx,
NY |
Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.
|
|
263. |
09/29/71 |
Studio Rehearsals with Keith Godchaux - Santa Venetia,
CA |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt
|
notes
|
264. |
09/30/71 |
Studio Rehearsals with Keith Godchaux - Santa Venetia,
CA |
Studio rehersal with Keith Godchaux MSR>C>DAT>WAV>SHN via Cousinit
|
notes
|
265. |
10/01/71 |
Studio - Santa Venetia,
CA |
MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].
|
notes
|
266. |
10/19/71 |
Northrop Auditorium, U. of Minn. - Minneapolis,
MN |
flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
267. |
10/21/71 |
Auditorium Theatre - Chicago,
IL |
Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA
|
notes
|
268. |
10/22/71 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
269. |
10/23/71 |
Eastown Theater - Detroit,
MI |
flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
270. |
10/24/71 |
Eastown Theater - Detroit,
MI |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
271. |
10/26/71 |
The Palestra, U. of Rochester - Rochester,
NY |
Source 1: (all material on discs 1 & 2)
SBD>MR>R>C>D>CD(pre FM)
Source 2: (all material on disc 3)
SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman
|
notes
|
272. |
10/27/71 |
Onondaga County War Memorial - Syracuse,
NY |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
273. |
10/29/71 |
Allen Theatre - Cleveland,
OH |
Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
|
notes
|
274. |
10/30/71 |
Taft Auditorium - Cincinnati,
OH |
mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)
|
notes
|
275. |
10/31/71 |
Ohio Theatre - Columbus,
OH |
flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
|
276. |
11/06/71 |
Harding Theater - San Francisco,
CA |
SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.
|
notes
|
277. |
11/07/71 |
Harding Theater - San Francisco,
CA |
flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
|
278. |
11/11/71 |
Atlanta Municipal Auditorium - Atlanta,
GA |
Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd
|
notes
|
279. |
11/12/71 |
San Antonio Civic Auditorium - San Antonio,
TX |
flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
|
280. |
11/14/71 |
Texas Christian University - Fort Worth,
TX |
SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller
|
|
281. |
11/15/71 |
Austin Municipal Auditorium - Austin,
TX |
SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage);
complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman
|
notes
|
282. |
11/17/71 |
Albuquerque Civic Auditorium - Albuquerque,
NM |
SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman
|
notes
|
283. |
11/20/71 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
284. |
12/01/71 |
Music Hall - Boston,
MA |
Source: Unknown aud via David Minor.
Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN
Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon
|
|
285. |
12/02/71 |
Music Hall - Boston,
MA |
flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424
|
|
286. |
12/04/71 |
Felt Forum, Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
287. |
12/05/71 |
Felt Forum, Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
288. |
12/06/71 |
Felt Forum, Madison Square Garden - New York,
NY |
flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
289. |
12/07/71 |
Felt Forum, Madison Square Garden - New York,
NY |
SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones
|
notes
|
290. |
12/09/71 |
Fox Theatre - St. Louis,
MO |
MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks
|
|
291. |
12/10/71 |
Fox Theatre - St. Louis,
MO |
Source: MSR>C>DAT>CD; with FM patch
|
notes
|
292. |
12/14/71 |
Hill Auditorium - Ann Arbor,
MI |
7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as /shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool.
|
notes
|
293. |
12/15/71 |
Hill Auditorium - Ann Arbor,
MI |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);
Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
294. |
12/31/71 |
Winterland Arena - San Francisco,
CA |
flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681
|
|
295. |
01/02/72 |
Winterland Arena - San Francisco,
CA |
updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD
|
notes
|
296. |
03/05/72 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
297. |
03/21/72 |
Academy Of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
298. |
03/22/72 |
Academy of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
299. |
03/23/72 |
Academy of Music - New York,
NY |
flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
300. |
03/25/72 |
Academy of Music - New York,
NY |
|
|
301. |
03/26/72 |
Academy of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
302. |
03/27/72 |
Academy of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
303. |
03/28/72 |
Academy of Music - New York,
NY |
flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
304. |
04/07/72 |
Wembley Empire Pool - London,
England |
flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick
|
|
305. |
04/08/72 |
Wembley Empire Pool - London,
England |
flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
306. |
04/11/72 |
Newcastle City Hall - Newcastle,
England |
flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.
|
|
307. |
04/14/72 |
Tivoli Theater - Copenhagen,
Denmark |
flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed
|
|
308. |
04/16/72 |
Stakladen, Aarhus University - Aarhus,
Denmark |
GD Box Set
|
|
309. |
04/17/72 |
Tivoli Concert Hall - Copenhagen,
Denmark |
flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)
|
|
310. |
04/21/72 |
Beat Club - Bremen,
Germany |
SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
311. |
04/24/72 |
Rheinhalle - Düsseldorf,
Germany |
GD Box Set
|
|
312. |
04/26/72 |
Jahrhundert Halle - Frankfurt,
Germany |
flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k)
|
|
313. |
04/29/72 |
Musikhalle - Hamburg,
Germany |
flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)
|
|
314. |
05/03/72 |
Olympia Theater - Paris,
France |
flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
|
315. |
05/04/72 |
Olympia Theater - Paris,
France |
flac16; SBD -> (16 Track) Master Reel -> Dat
All Transfers and Mastering By Charlie Miller
|
|
316. |
05/07/72 |
Bickershaw Festival - Wigan,
England |
Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston
|
|
317. |
05/10/72 |
Concertgebouw - Amsterdam,
Netherlands |
S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in
|
notes
|
318. |
05/11/72 |
Rotterdam Civic Hall - Rotterdam,
Netherlands |
10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.
|
notes
|
319. |
05/13/72 |
Lille Fairgrounds - Lille,
France |
sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing
|
notes
|
320. |
05/16/72 |
Theatre Hall - Luxembourg,
Luxembourg |
Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
Apparently, d1t06 is from etree seed 7089 and the rest of the show
is from 10353. Seeded to Etree via Tol.
|
notes
|
321. |
05/18/72 |
Kongressaal Deutsches Museum - München,
Germany |
flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD;
CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell
|
|
322. |
05/23/72 |
Lyceum Ballroom - London,
England |
flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename
|
|
323. |
05/24/72 |
Lyceum Ballroom - London,
England |
GD Box Set
|
|
324. |
05/25/72 |
Lyceum Ballroom - London,
England |
GD Box Set
|
|
325. |
05/26/72 |
Lyceum Ballroom - London,
England |
flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8
|
|
326. |
06/17/72 |
Hollywood Bowl - Hollywood,
CA |
flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller
|
|
327. |
07/16/72 |
Dillon Stadium - Hartford,
CT |
source 1: SBD>MR>C>D>CD>EAC>SHN
source 2: AUD>?>SHN
the audience recording supplies:
--all of disc 1,
--on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman
|
|
328. |
07/18/72 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
329. |
07/21/72 |
Paramount Northwest Theater - Seattle,
WA |
sbd.norman.dlseries#10.flac
|
|
330. |
07/22/72 |
Paramount Northwest Theater - Seattle,
WA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
331. |
07/25/72 |
Paramount Theater - Portland,
OR |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
332. |
07/26/72 |
Paramount Theater - Portland,
OR |
flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007
Mastering By Jamie Waddell on the GEMS Edit Station.
Trac'ed cdwave,Flac'ed TLH level 8
|
|
333. |
08/12/72 |
Sacramento Memorial Auditorium - Sacramento,
CA |
flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips >
Will Boswell's reel @ 3.75ips >
Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz
Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station
Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz
tracked in CDWAV Tag&Rename for Meta_Data
TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)
|
|
334. |
08/20/72 |
San Jose Civic Auditorium - San Jose,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
335. |
08/21/72 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017; the original version of this had pitch correction incorrectly applied
|
notes
|
336. |
08/22/72 |
Berkeley Community Theater - Berkeley,
CA |
mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Miller
|
|
337. |
08/24/72 |
Berkeley Community Theater - Berkeley,
CA |
SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller
|
|
338. |
08/25/72 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC
|
|
339. |
08/27/72 |
Old Renaissance Faire Grounds - Veneta,
OR |
SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
|
notes
|
340. |
09/03/72 |
Folsom Field, U of Colorado - Boulder,
CO |
flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz
|
|
341. |
09/09/72 |
Hollywood Palladium - Hollywood,
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
342. |
09/10/72 |
Hollywood Palladium - Hollywood,
CA |
MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg.
|
notes
|
343. |
09/15/72 |
Music Hall - Boston,
MA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
344. |
09/16/72 |
Music Hall - Boston,
MA |
mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher
|
|
345. |
09/17/72 |
Baltimore Civic Center - Baltimore,
MD |
SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it
|
notes
|
346. |
09/19/72 |
Roosevelt Stadium - Jersey City,
NJ |
AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman
|
notes
|
347. |
09/21/72 |
The Spectrum - Philadelphia,
PA |
SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details
|
notes
|
348. |
09/23/72 |
Palace Theater - Waterbury,
CT |
SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file
|
|
349. |
09/24/72 |
Palace Theater - Waterbury,
CT |
Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details
|
|
350. |
09/26/72 |
Stanley Theatre - Jersey City,
NJ |
flac16 Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)
|
|
351. |
09/27/72 |
Stanley Theatre - Jersey City,
NJ |
SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon
|
|
352. |
09/28/72 |
Stanley Theatre - Jersey City,
NJ |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
353. |
09/30/72 |
American University - Washington,
DC |
Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp
|
notes
|
354. |
10/02/72 |
Springfield Civic Center - Springfield,
MA |
flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info:
Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
355. |
10/09/72 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
|
356. |
10/17/72 |
Fox Theatre - St. Louis,
MO |
MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated
|
notes
|
357. |
10/18/72 |
Fox Theatre - St. Louis,
MO |
flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac
|
|
358. |
10/19/72 |
Fox Theatre - St. Louis,
MO |
SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised
|
notes
|
359. |
10/24/72 |
Milwaukee Performing Arts Center - Milwaukee,
WI |
flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller
|
|
360. |
10/26/72 |
Cincinnati Music Hall - Cincinnati,
OH |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
361. |
10/28/72 |
Cleveland Public Hall - Cleveland,
OH |
Bertha Remaster of the Master Cassette source
SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
Ampex C-90 cassette master
|
notes
|
362. |
10/30/72 |
Ford Auditorium - Detroit,
MI |
AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman
|
notes
|
363. |
11/12/72 |
Soldiers' and Sailors' Memorial Hall - Kansas City,
KS |
SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman
|
notes
|
364. |
11/13/72 |
Soldiers and Sailors Memorial Hall - Kansas City,
KS |
master #1: AUD MR>C>D>CD recorded by Bear
(//Playing through Casey Jones// is all that circulates from this source)
master #2: low generation AUD
(supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B
|
notes
|
365. |
11/14/72 |
Civic Center Music Hall - Oklahoma City,
OK |
Recording Info:
Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09)
Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07)
Transfer Info:
Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN
(3 Discs Audio / 2 Discs SHN)
All Transfers By Charlie Miller
charliemiller87@earthlink.net
1/30/04
Notes:
--I forgot to make shn's off of my Dats which is why I had to use EAC.
--This is a new conversion since the last one was missing GSET.
|
notes
|
366. |
11/15/72 |
Civic Center Music Hall - Oklahoma City,
OK |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
367. |
11/17/72 |
Century II Convention Hall - Wichita,
KS |
Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy
|
notes
|
368. |
11/18/72 |
Hofheinz Pavilion - Houston,
TX |
2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
|
notes
|
369. |
11/19/72 |
Hofheinz Pavilion - Houston,
TX |
flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
|
|
370. |
11/22/72 |
Austin Municipal Auditorium - Austin,
TX |
flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730
|
|
371. |
11/24/72 |
Dallas Memorial Auditorium - Dallas,
TX |
SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
|
notes
|
372. |
11/26/72 |
San Antonio Civic Auditorium - San Antonio,
TX |
SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.
|
notes
|
373. |
12/11/72 |
Winterland Arena - San Francisco,
CA |
flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8
|
notes
|
374. |
12/12/72 |
Winterland Arena - San Francisco,
CA |
SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat
Transfer Info:
Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC
Transfered and Edited By Charlie Miller
|
|
375. |
12/15/72 |
Long Beach Arena - Long Beach,
CA |
flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT
|
|
376. |
12/31/72 |
Winterland Arena - San Francisco,
CA |
Bertha Remaster of the patched PreFM source, by Jay Ashley
|
notes
|
377. |
02/09/73 |
Roscoe Maples Pavilion, Stanford University - Palo Alto,
CA |
S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.
|
notes
|
378. |
02/15/73 |
Dane County Coliseum - Madison,
WI |
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
|
|
379. |
02/17/73 |
St. Paul Auditorium - St. Paul,
MN |
flac16; SBD -> Master Reel -> PCM -> Dat -> CD
All Transfers and Mastering By Charlie Miller
|
|
380. |
02/21/73 |
Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
381. |
02/22/73 |
Assembly Hall, Univ. Of Illinois Urbana-Champaign - Urbana,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
382. |
02/26/73 |
Pershing Municipal Auditorium - Lincoln,
NE |
S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25
|
notes
|
383. |
02/28/73 |
Salt Palace - Salt Lake City,
UT |
Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.
|
notes
|
384. |
03/15/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon
|
|
385. |
03/16/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC
|
|
386. |
03/19/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)
|
|
387. |
03/21/73 |
Utica Memorial Auditorium - Utica,
NY |
Recording Info: SBD -> Master Reel -> PCM -> Dat
Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
|
|
388. |
03/22/73 |
Utica Memorial Auditorium - Utica,
NY |
flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell
16 bit 44.1kHz
|
|
389. |
03/24/73 |
The Spectrum - Philadelphia,
PA |
SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
|
notes
|
390. |
03/26/73 |
Civic Center - Baltimore,
MD |
SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes
|
notes
|
391. |
03/28/73 |
Springfield Civic Center - Springfield,
MA |
flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
392. |
03/30/73 |
Rochester Community War Memorial - Rochester,
NY |
flac16/44.1khz Recording Info:
SBD > Reel Master (10in 7.5ips 1/2trk) > Apogee AD-500 > DAT (Panasonic SV-3700/48k)
Transfer Info:
DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
|
|
393. |
03/31/73 |
Buffalo Memorial Auditorium - Buffalo,
NY |
flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
|
|
394. |
04/02/73 |
Boston Garden - Boston,
MA |
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.
|
notes
|
395. |
05/13/73 |
Iowa State Fairgrounds - Des Moines,
IA |
flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
|
|
396. |
05/20/73 |
Campus Stadium, UCSB - Santa Barbara,
CA |
flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller
|
|
397. |
05/26/73 |
Kezar Stadium - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
398. |
06/09/73 |
Robert F. Kennedy Stadium - Washington,
DC |
Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)
|
notes
|
399. |
06/10/73 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
|
|
400. |
06/22/73 |
P.N.E. Coliseum - Vancouver,
BC |
flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
401. |
06/24/73 |
Memorial Coliseum - Portland,
OR |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
402. |
06/26/73 |
Seattle Center Arena - Seattle,
WA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009
|
|
403. |
06/30/73 |
Universal Amphitheatre - Universal City,
CA |
flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
|
|
404. |
07/01/73 |
Universal Amphitheatre - Universal City,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
405. |
07/27/73 |
Grand Prix Racecourse - Watkins Glen,
NY |
flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
|
406. |
07/28/73 |
Grand Prix Racecourse - Watkins Glen,
NY |
Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches.
Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
|
notes
|
407. |
07/31/73 |
Roosevelt Stadium - Jersey City,
NJ |
FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy
|
notes
|
408. |
08/01/73 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008
|
|
409. |
09/07/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
SBD>MR>C>D>CD>EAC>SHN;
patched with AUD>MC>D>CD>EAC>SHN;
sourced from previous seeds
|
notes
|
410. |
09/08/73 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin
|
|
411. |
09/11/73 |
College Of William & Mary Hall - Williamsburg,
VA |
MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes
|
|
412. |
09/12/73 |
College Of William & Mary Hall - Williamsburg,
VA |
flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz
|
|
413. |
09/15/73 |
Providence Civic Center - Providence,
RI |
set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman
|
notes
|
414. |
09/17/73 |
Onondaga County War Memorial - Syracuse,
NY |
flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin
Conversion: DA-40>U2A>CDWave>MkW with seek tables appended
Transferred by Tyler Jensen tylerlundby@yahoo.com
|
|
415. |
09/20/73 |
The Spectrum - Philadelphia,
PA |
Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman
|
notes
|
416. |
09/21/73 |
The Spectrum - Philadelphia,
PA |
SBD -> Rm -> Reel -> PCM -> Dat
Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller
|
|
417. |
09/24/73 |
Civic Arena - Pittsburgh,
PA |
flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin
|
|
418. |
09/26/73 |
Community War Memorial Auditorium - Buffalo,
NY |
flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.
|
|
419. |
10/19/73 |
Oklahoma City Fairgrounds Arena - Oklahoma City,
OK |
mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that
|
|
420. |
10/21/73 |
Omaha Civic Auditorium - Omaha,
NE |
SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller
|
|
421. |
10/23/73 |
Metropolitan Sports Center - Bloomington,
MN |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
422. |
10/25/73 |
Dane County Coliseum - Madison,
WI |
SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.
|
notes
|
423. |
10/27/73 |
Indianapolis State Fair Coliseum - Indianapolis,
IN |
Source: MSR > R > C > D > CD patched with MAC > ? > D
Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier
From the Deadlists vine
|
|
424. |
10/29/73 |
Kiel Auditorium - St. Louis,
MO |
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
|
|
425. |
10/30/73 |
Kiel Auditorium - St. Louis,
MO |
flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
|
|
426. |
11/01/73 |
McGaw Memorial Hall, Northwestern University - Evanston,
IL |
flac16; Set 2 only MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits
|
notes
|
427. |
11/09/73 |
Winterland Arena - San Francisco,
CA |
SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes
|
|
428. |
11/10/73 |
Winterland Arena - San Francisco,
CA |
MSR> reel > PCM > DAT > CD; see info file for listening notes
|
notes
|
429. |
11/11/73 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller
|
|
430. |
11/14/73 |
San Diego Sports Arena - San Diego,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
|
431. |
11/17/73 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; source: unknown sbd > ??? > shn > wav > flac
|
|
432. |
11/20/73 |
Denver Coliseum - Denver,
CO |
flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234)
patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)
|
|
433. |
11/21/73 |
Denver Coliseum - Denver,
CO |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)
|
notes
|
434. |
11/23/73 |
County Coliseum - El Paso,
TX |
flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC;
All Transfers and Mastering By Charlie Miller
|
|
435. |
11/25/73 |
Feyline Field - Tempe,
AZ |
flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info:
Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
436. |
11/30/73 |
Music Hall - Boston,
MA |
flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN
|
|
437. |
12/01/73 |
Music Hall - Boston,
MA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
438. |
12/02/73 |
Music Hall - Boston,
MA |
flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
|
|
439. |
12/04/73 |
Cincinnati Gardens - Cincinnati,
OH |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).
|
|
440. |
12/06/73 |
Public Hall - Cleveland,
OH |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452
|
|
441. |
12/08/73 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC;
All Transfers and Mastering By Charlie Miller; remaster of shnid 1811
|
|
442. |
12/10/73 |
Charlotte Coliseum - Charlotte,
NC |
sbd.candelario.norman.dlseries#08.flac
|
|
443. |
12/12/73 |
The Omni - Atlanta,
GA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation
|
|
444. |
12/18/73 |
Curtis Hixon Convention Hall - Tampa,
FL |
SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry
|
notes
|
445. |
12/19/73 |
Curtis Hixon Convention Hall - Tampa,
FL |
flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper
|
|
446. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
|
|
447. |
02/22/74 |
Winterland Arena - San Francisco,
CA |
soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
|
|
448. |
02/23/74 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
449. |
02/24/74 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
450. |
03/23/74 |
Cow Palace - Daly City,
CA |
Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
|
notes
|
451. |
05/12/74 |
University Of Nevada - Reno,
NV |
MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file
|
|
452. |
05/14/74 |
Adams Field House, University Of Montana - Missoula,
MT |
flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
453. |
05/17/74 |
P.N.E. Coliseum - Vancouver,
BC |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
454. |
05/19/74 |
Portland Memorial Coliseum - Portland,
OR |
flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
455. |
05/21/74 |
Edmundson Pavilion, University Of Washington - Seattle,
WA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
456. |
05/25/74 |
Campus Stadium, UCSB - Santa Barbara,
CA |
flac16; Soundboard Reel >DAT >CDR >FLAC
Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr
|
|
457. |
06/08/74 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller
|
|
458. |
06/16/74 |
Des Moines State Fair Grandstand - Des Moines,
IA |
S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself
|
notes
|
459. |
06/18/74 |
Freedom Hall - Louisville,
KY |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
460. |
06/20/74 |
The Omni - Atlanta,
GA |
Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min
|
|
461. |
06/22/74 |
Jai-Alai Fronton - Miami,
FL |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
462. |
06/23/74 |
Jai-Alai Fronton - Miami,
FL |
flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)
|
|
463. |
06/26/74 |
Providence Civic Center - Providence,
RI |
flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b
nak dragon>hd-p2 24/96>cd wave>flac
|
|
464. |
06/28/74 |
Boston Garden - Boston,
MA |
complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18
|
notes
|
465. |
06/30/74 |
Springfield Civic Center - Springfield,
MA |
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
466. |
07/19/74 |
Selland Arena - Fresno,
CA |
flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact
|
|
467. |
07/21/74 |
Hollywood Bowl - Los Angeles,
CA |
Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner
|
|
468. |
07/25/74 |
International Amphitheater - Chicago,
IL |
SBD -> Rm -> Dat -> Sonic Solutions -> CD
seeded by Charlie Miller
|
notes
|
469. |
07/27/74 |
Roanoke Civic Center - Roanoke,
VA |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
470. |
07/29/74 |
Capital Centre - Landover,
MD |
flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info:
Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
471. |
07/31/74 |
Dillon Stadium - Hartford,
CT |
flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
|
|
472. |
08/04/74 |
Philadelphia Civic Arena - Philadelphia,
PA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16)
|
|
473. |
08/05/74 |
Philadelphia Civic Arena - Philadelphia,
PA |
MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks
|
|
474. |
08/06/74 |
Roosevelt Stadium - Jersey City,
NJ |
fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
|
notes
|
475. |
09/09/74 |
Alexandra Palace - London,
England |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
476. |
09/10/74 |
Alexandra Palace - London,
England |
Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN
DAT seed provided by Michael P. Weitzman.
Transfer and SHN by Joe Samaritano
|
|
477. |
09/11/74 |
Alexandra Palace - London,
England |
Candelario Matrix MSR D CD except
first 15:22 of Seastones (on Disc #2): AUD
end of Sunshine Daydream and encore: AUD
See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
|
|
478. |
09/14/74 |
Olympiahalle - Munich,
Germany |
flac16; Recording Info:
SBD -> Master Reel -> Dat
Transferred and Edited By Charlie Miller
|
|
479. |
09/18/74 |
Parc Des Expositions - Dijon,
France |
Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon
|
|
480. |
09/20/74 |
Palais Des Sports - Paris,
France |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
481. |
09/21/74 |
Palais Des Sports - Paris,
France |
flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
482. |
10/16/74 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
483. |
10/17/74 |
Winterland Arena - San Francisco,
CA |
flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
|
|
484. |
10/18/74 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
485. |
10/19/74 |
Winterland Arena - San Francisco,
CA |
Recording Info:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)
Transfer Info:
Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN
Transfered and Edited By Charlie Miller
charliemiller87@earthlink.net
1/14/04
|
notes
|
486. |
10/20/74 |
Winterland Arena - San Francisco,
CA |
flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH
|
|
487. |
02/28/75 |
Bob Weir's Studio - Mill Valley,
CA |
flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC
|
|
488. |
03/17/75 |
Ace's - Mill Valley,
CA |
SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon
|
notes
|
489. |
03/23/75 |
Kezar Stadium - San Francisco,
CA |
flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD.
Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
|
|
490. |
06/17/75 |
Winterland Arena - San Francisco,
CA |
flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station
|
|
491. |
08/13/75 |
Great American Music Hall - San Francisco,
CA |
Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon
|
|
492. |
09/28/75 |
Lindley Meadows, Golden Gate Park - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16)
|
|
493. |
04/20/76 |
Mickey's Barn - Novato,
CA |
flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
|
494. |
06/03/76 |
Paramount Theatre - Portland,
OR |
MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
|
notes
|
495. |
06/04/76 |
Paramount Theatre - Portland,
OR |
flac16/48 Source Info:
Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips
Transfer Info:
Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
|
|
496. |
06/09/76 |
Boston Music Hall - Boston,
MA |
flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
497. |
06/10/76 |
Boston Music Hall - Boston,
MA |
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
|
|
498. |
06/11/76 |
Boston Music Hall - Boston,
MA |
flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
499. |
06/12/76 |
Boston Music Hall - Boston,
MA |
flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger
|
|
500. |
06/14/76 |
Beacon Theatre - New York,
NY |
flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
|
|
501. |
06/15/76 |
Beacon Theatre - New York,
NY |
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
502. |
06/17/76 |
Capitol Theater - Passaic,
NJ |
MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
|
notes
|
503. |
06/18/76 |
Capitol Theater - Passaic,
NJ |
Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon
|
|
504. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
|
notes
|
505. |
06/19/76 |
Capitol Theater - Passaic,
NJ |
Source: FM>MC>DAT>WAV>SHN via Cousinit
|
notes
|
506. |
06/21/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
|
|
507. |
06/22/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
508. |
06/23/76 |
The Tower Theatre - Upper Darby,
PA |
AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon
|
|
509. |
06/24/76 |
The Tower Theatre - Upper Darby,
PA |
flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin
|
|
510. |
06/26/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
511. |
06/27/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
|
|
512. |
06/28/76 |
Auditorium Theatre - Chicago,
IL |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
513. |
06/29/76 |
Auditorium Theatre - Chicago,
IL |
flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
|
|
514. |
07/12/76 |
Orpheum Theatre - San Francisco,
CA |
Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree
|
notes
|
515. |
07/13/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
|
516. |
07/14/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
|
517. |
07/16/76 |
Orpheum Theatre - San Francisco,
CA |
flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
|
518. |
07/17/76 |
Orpheum Theatre - San Francisco,
CA |
Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches
|
|
519. |
07/18/76 |
Orpheum Theatre - San Francisco,
CA |
S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
|
notes
|
520. |
08/02/76 |
Colt Park - Hartford,
CT |
flac16; Source: Audience FOB Recording
Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick
|
|
521. |
08/04/76 |
Roosevelt Stadium - Jersey City,
NJ |
flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac
|
|
522. |
09/23/76 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
|
|
523. |
09/24/76 |
College Of William & Mary Hall - Williamsburg,
VA |
AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn
|
|
524. |
09/25/76 |
Capital Centre - Landover,
MD |
sbd.aj.sbeok.flac16
|
notes
|
525. |
09/27/76 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin
|
|
526. |
09/28/76 |
Onongada County War Memorial - Syracuse,
NY |
Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon
|
notes
|
527. |
09/30/76 |
Mershon Auditorium, Ohio State University - Columbus,
OH |
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN
|
|
528. |
10/01/76 |
Market Square Arena - Indianapolis,
IN |
flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge
|
|
529. |
10/02/76 |
Riverfront Coliseum - Cincinnati,
OH |
AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
|
|
530. |
10/03/76 |
Cobo Arena - Detroit,
MI |
complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman
|
|
531. |
10/09/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli
|
|
532. |
10/10/76 |
Oakland-Alameda County Coliseum - Oakland,
CA |
Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80
|
|
533. |
10/14/76 |
Shrine Auditorium - Los Angeles,
CA |
composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman
|
notes
|
534. |
10/15/76 |
Shrine Auditorium - Los Angeles,
CA |
flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
|
535. |
12/31/76 |
Cow Palace - Daly City,
CA |
Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
|
|
536. |
02/26/77 |
Swing Auditorium - San Bernardino,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
537. |
02/27/77 |
Robertson Gym, U.C.S.B. - Santa Barbara,
CA |
flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018
|
|
538. |
03/18/77 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:
CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
539. |
03/19/77 |
Winterland Arena - San Francisco,
CA |
flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools
|
|
540. |
03/20/77 |
Winterland Arena - San Francisco,
CA |
Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD
Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN
Tracked and SHN'd By Charlie Miller
|
notes
|
541. |
04/22/77 |
The Spectrum - Philadelphia,
PA |
flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
|
542. |
04/23/77 |
Springfield Civic Center - Springfield,
MA |
flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
543. |
04/25/77 |
Capitol Theater - Passaic,
NJ |
flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC
|
|
544. |
04/27/77 |
Capitol Theater - Passaic,
NJ |
flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger
|
|
545. |
04/29/77 |
The Palladium - New York,
NY |
AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead
|
notes
|
546. |
04/30/77 |
The Palladium - New York,
NY |
Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
|
|
547. |
05/01/77 |
The Palladium - New York,
NY |
Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon
|
notes
|
548. |
05/03/77 |
The Palladium - New York,
NY |
flac16; Source: Audience 1st Row Loge
Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe
|
|
549. |
05/04/77 |
The Palladium - New York,
NY |
flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller
|
|
550. |
05/05/77 |
Veterans Memorial Coliseum - New Haven,
CT |
Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details
|
notes
|
551. |
05/07/77 |
Boston Garden - Boston,
MA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
552. |
05/08/77 |
Barton Hall, Cornell University - Ithaca,
NY |
flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation
|
|
553. |
05/09/77 |
Buffalo Memorial Auditorium - Buffalo,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
554. |
05/11/77 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller
|
|
555. |
05/12/77 |
Auditorium Theatre - Chicago,
IL |
Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min
|
|
556. |
05/13/77 |
Auditorium Theatre - Chicago,
IL |
SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Miller
|
notes
|
557. |
05/15/77 |
The Arena - St. Louis,
MO |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k)
Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
|
|
558. |
05/17/77 |
Memorial Coliseum, University Of Alabama - Tuscaloosa,
AL |
SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner
|
notes
|
559. |
05/18/77 |
Fox Theatre - Atlanta,
GA |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
|
|
560. |
05/19/77 |
Fox Theatre - Atlanta,
GA |
Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source.
SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA
|
notes
|
561. |
05/21/77 |
Lakeland Civic Center - Lakeland,
FL |
flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
|
|
562. |
05/22/77 |
The Sportatorium - Pembroke Pines,
FL |
WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo
|
|
563. |
05/25/77 |
The Mosque - Richmond,
VA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539
|
|
564. |
05/26/77 |
Baltimore Civic Center - Baltimore,
MD |
flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.
|
|
565. |
05/28/77 |
Hartford Civic Center - Hartford,
CT |
flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell.
|
|
566. |
06/04/77 |
The Forum - Inglewood,
CA |
Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some
|
|
567. |
06/07/77 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
568. |
06/08/77 |
Winterland Arena - San Francisco,
CA |
Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN
Transferred and Edited By Charlie Miller
|
|
569. |
06/09/77 |
Winterland Arena - San Francisco,
CA |
flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
570. |
09/03/77 |
Raceway Park - Englishtown,
NJ |
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
|
571. |
09/29/77 |
Paramount Theatre - Seattle,
WA |
flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
|
572. |
10/01/77 |
Paramount Theatre - Portland,
OR |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
|
573. |
10/02/77 |
Paramount Theatre - Portland,
OR |
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
|
|
574. |
10/06/77 |
Activity Center, Arizona State University - Tempe,
AZ |
Recording Info: SBD > Cassette Master > DAT (48k) > WAV
Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16
|
|
575. |
10/09/77 |
McNichols Sports Arena - Denver,
CO |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
576. |
10/11/77 |
Lloyd Noble Center, University Of Oklahoma - Norman,
OK |
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
577. |
10/12/77 |
Manor Downs - Austin,
TX |
SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches
|
|
578. |
10/14/77 |
Hofheinz Pavilion - Houston,
TX |
flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:
CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400
|
|
579. |
10/15/77 |
Moody Coliseum, S.M.U - Dallas,
TX |
SBD>MC>R>D>CD>EAC>SHN;
declicked and pitch corrected
|
|
580. |
10/16/77 |
Assembly Center, Lousiana State University - Baton Rouge,
LA |
Master Soundboard Reels > Cassette > DAT > CDR
Patched version of SHNID 3350
|
|
581. |
10/28/77 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat;
Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
582. |
10/29/77 |
Evans Field House, Northern Illinois University - DeKalb,
IL |
flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
583. |
10/30/77 |
Assembly Hall - Bloomington,
IN |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765
|
|
584. |
11/01/77 |
Cobo Arena - Detroit,
MI |
flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
585. |
11/02/77 |
Field House, Seneca College - Toronto,
ON |
flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell.
|
|
586. |
11/04/77 |
Cotterell Gym, Colgate University - Hamilton,
NY |
flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell
|
|
587. |
11/05/77 |
Community War Memorial Auditorium - Rochester,
NY |
A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs
|
notes
|
588. |
11/06/77 |
Broome County Arena - Binghamton,
NY |
flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH
|
|
589. |
12/27/77 |
Winterland Arena - San Francisco,
CA |
SBD>MR>D>CD>EAC>SHN;
patched with AUD>??>C>CD>EAC>SHN (multigen);
originally circulated by David Gans w/ thanks to S. Milewski for the patches
|
|
590. |
12/29/77 |
Winterland Arena - San Francisco,
CA |
flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC
|
|
591. |
12/30/77 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Professional v11.2.1 -> FLAC; fixed version levels were increased approximately 14db; please do not circulate the original files; All Transfers and Mastering By Charlie Miller
|
|
592. |
12/31/77 |
Winterland Arena - San Francisco,
CA |
Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN
|
notes
|
593. |
01/06/78 |
Swing Auditorium - San Bernardino,
CA |
SBD: MC>RR>DAT>CD>EAC>DC5>CD
Discs From Jools Elliott
AUD patches from Noah Weiner
AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158
CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.
|
notes
|
594. |
01/07/78 |
Golden Hall, Community Concourse - San Diego,
CA |
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel
|
|
595. |
01/08/78 |
Golden Hall, Community Concourse - San Diego,
CA |
SBDMR > R > PCM > DAT > CD > EAC > SHN
note: Jerry had laryngitis on this night and therefore
he did not sing.
d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54
d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12
EAC, SHN and cross fades by Noah Weiner - November, 2002
|
|
596. |
01/10/78 |
Shrine Auditorium - Los Angeles,
CA |
flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
|
notes
|
597. |
01/11/78 |
Shrine Auditorium - Los Angeles,
CA |
flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
|
|
598. |
01/13/78 |
Arlington Theater - Santa Barbara,
CA |
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
|
599. |
01/14/78 |
Bakersfield Memorial Auditorium - Bakersfield,
CA |
flac16; source: aud > ??? > cdr > eac > wav > flac
|
|
600. |
01/15/78 |
Selland Arena - Fresno,
CA |
mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.
|
notes
|
601. |
01/18/78 |
Stockton Civic Auditorium - Stockton,
CA |
SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman
|
notes
|
602. |
01/22/78 |
McArthur Court, University Of Oregon - Eugene,
OR |
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
|
|
603. |
01/30/78 |
Uptown Theatre - Chicago,
IL |
flac16; SBD -> Master Reel -> Dat -> CD -> FLAC
Audio discs provided by Jim Wise
Converted to FLAC By Charlie Miller
|
|
604. |
01/31/78 |
Uptown Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
|
|
605. |
02/03/78 |
Dane County Coliseum - Madison,
WI |
flac1648 Source Info:
Master Audience Cassettes; AKG mics > unknown deck > 1st generation cassettes > Tim McKenzie's 2nd generation cassettes
Transfer Info:
2nd generation cassettes (Nakamichi DR-1) > Tascam DA-300 (24/96 .wav) > Adobe Audition 2023 > TLH flac2496
|
|
606. |
04/06/78 |
Curtis Hixon Convention Hall - Tampa,
FL |
flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
|
|
607. |
04/08/78 |
Veterans Memorial Coliseum - Jacksonville,
FL |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
608. |
04/10/78 |
Fox Theater - Atlanta,
GA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
609. |
04/11/78 |
Fox Theater - Atlanta,
GA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
610. |
04/12/78 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
|
|
611. |
04/14/78 |
Cassell Coliseum, Virginia Polytechnic - Blacksburg,
VA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
612. |
04/15/78 |
William & Mary Hall - Williamsburg,
VA |
Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches
|
|
613. |
04/16/78 |
Huntington Civic Center - Huntington,
WV |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
|
|
614. |
04/18/78 |
Civic Arena - Pittsburgh,
PA |
Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon
|
|
615. |
04/19/78 |
Veterans Memorial Hall - Columbus,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
616. |
04/21/78 |
Rupp Arena, University Of Kentucky - Lexington,
KY |
flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
617. |
04/22/78 |
Nashville Municipal Auditorium - Nashville,
TN |
flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
|
|
618. |
04/24/78 |
Horton Field House, Illinois State University - Normal,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
619. |
05/05/78 |
Thompson Arena, Dartmouth College - Hanover,
NH |
flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller
|
|
620. |
05/06/78 |
Patrick Gymnasium, University Of Vermont - Burlington,
VT |
flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
|
621. |
05/07/78 |
Field House, Rensselaer Polytechnic Institute - Troy,
NY |
flac16; Source: Audience FOB Recording
Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
|
622. |
05/09/78 |
Onongada County War Memorial - Syracuse,
NY |
flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
|
623. |
05/10/78 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman
|
|
624. |
05/11/78 |
Springfield Civic Center - Springfield,
MA |
Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center
Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>
Cool Edit 2000> Feurio/mkwACT by David Minches
|
|
625. |
05/13/78 |
The Spectrum - Philadelphia,
PA |
AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.
|
|
626. |
05/14/78 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:
CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
627. |
05/16/78 |
Uptown Theater - Chicago,
IL |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
628. |
06/04/78 |
Campus Stadium, UC Santa Barbara - Goleta,
CA |
flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)
|
|
629. |
07/01/78 |
Arrowhead Stadium - Kansas City,
MO |
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
630. |
07/03/78 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
631. |
07/05/78 |
Omaha Civic Auditorium - Omaha,
NE |
flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
632. |
07/07/78 |
Red Rocks Amphitheatre - Morrison,
CO |
Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli
|
notes
|
633. |
07/08/78 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
634. |
08/30/78 |
Red Rocks Amphitheatre - Morrison,
CO |
AUD>MC>DAT>CD; Seeded to Etree by T. Wiley
|
notes
|
635. |
08/31/78 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
636. |
09/02/78 |
Giants Stadium - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
637. |
09/13/78 |
Gizah Sound and Light Theater - Cairo,
Egypt |
flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall
|
|
638. |
09/14/78 |
Gizah Sound and Light Theater - Cairo,
Egypt |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller
|
|
639. |
09/15/78 |
Gizah Sound and Light Theater - Cairo,
Egypt |
flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
640. |
09/16/78 |
Gizah Sound and Light Theater - Cairo,
Egypt |
flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin
|
|
641. |
10/17/78 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
642. |
10/18/78 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
643. |
10/20/78 |
Winterland Arena - San Francisco,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
644. |
10/21/78 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
645. |
10/22/78 |
Winterland Arena - San Francisco,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
646. |
11/13/78 |
Music Hall - Boston,
MA |
AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley
|
|
647. |
11/14/78 |
Music Hall - Boston,
MA |
AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley
|
|
648. |
11/16/78 |
Uptown Theater - Chicago,
IL |
AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley
|
|
649. |
11/17/78 |
Rambler Room, Loyola College - Chicago,
IL |
sbd > ?? > shn; via Ernie Dodd; upgrade in circulation
|
notes
|
650. |
11/20/78 |
Cleveland Music Hall - Cleveland,
OH |
flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244)
|
|
651. |
11/21/78 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
|
|
652. |
11/23/78 |
Capital Centre - Landover,
MD |
flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
|
|
653. |
11/24/78 |
Capitol Theatre - Passaic,
NJ |
flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
654. |
12/12/78 |
Jai-Alai Fronton - Miami,
FL |
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
655. |
12/15/78 |
Boutwell Auditorium - Birmingham,
AL |
AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W
|
|
656. |
12/16/78 |
Nashville Municipal Auditorium - Nashville,
TN |
flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
|
|
657. |
12/17/78 |
Fox Theater - Atlanta,
GA |
ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W
|
|
658. |
12/19/78 |
Memorial Coliseum, Mississippi State Fairgrounds - Jackson,
MS |
flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments
|
|
659. |
12/27/78 |
Golden Hall, Community Concourse - San Diego,
CA |
flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480)
|
|
660. |
12/28/78 |
Golden Hall, Community Concourse - San Diego,
CA |
MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
|
661. |
12/30/78 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
|
662. |
01/07/79 |
Madison Square Garden - New York,
NY |
flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158)
(Set 2 has a Sennheiser 441 mixed in)
All Transfers and Mastering By Charlie Miller
|
|
663. |
01/08/79 |
Madison Square Garden - New York,
NY |
flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
664. |
01/10/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328
|
|
665. |
01/11/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller
|
|
666. |
01/12/79 |
The Spectrum - Philadelphia,
PA |
Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony
TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka
|
|
667. |
01/14/79 |
Utica Memorial Coliseum - Utica,
NY |
Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.
|
|
668. |
01/15/79 |
Springfield Civic Center - Springfield,
MA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
|
|
669. |
01/17/79 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
|
|
670. |
01/18/79 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
|
|
671. |
01/20/79 |
Shea's Buffalo Theater - Buffalo,
NY |
flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow
|
|
672. |
01/20/79 |
Shea's Buffalo Theater - Buffalo,
NY |
flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow
|
|
673. |
02/09/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde
|
|
674. |
02/10/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
|
|
675. |
02/11/79 |
Kiel Auditorium - St. Louis,
MO |
AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon
|
|
676. |
02/17/79 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
|
|
677. |
04/16/79 |
Studio Rehersal, Club Front - San Rafael,
CA |
sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol
|
|
678. |
04/22/79 |
Spartan Stadium, San Jose State University - San Jose,
CA |
flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein
|
|
679. |
05/03/79 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
680. |
05/04/79 |
Hampton Coliseum - Hampton,
VA |
Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
|
|
681. |
05/05/79 |
Baltimore Civic Center - Baltimore,
MD |
flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
|
|
682. |
05/07/79 |
Allan Kirby Field House, Lafayette College - Easton,
PA |
Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
|
|
683. |
05/08/79 |
Recreation Hall, Penn State University - State College,
PA |
Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
|
|
684. |
05/09/79 |
Broome County Arena - Binghamton,
NY |
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
|
685. |
05/11/79 |
Billerica Forum - Billerica,
MA |
Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon
|
|
686. |
05/12/79 |
Alumni Stadium, University Of Massachusetts - Amherst,
MA |
flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording
Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
|
687. |
06/28/79 |
Sacramento Memorial Auditorium - Sacramento,
CA |
Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy
|
|
688. |
06/30/79 |
Portland International Speedway - Portland,
OR |
flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller
|
|
689. |
07/01/79 |
Seattle Center Coliseum - Seattle,
WA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
690. |
08/05/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (July 2022) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
|
691. |
08/13/79 |
McNichols Sports Arena - Denver,
CO |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
692. |
08/14/79 |
McNichols Sports Arena - Denver,
CO |
flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
693. |
08/31/79 |
Glens Falls Civic Center - Glens Falls,
NY |
flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN
|
|
694. |
09/01/79 |
Holleder Memorial Stadium - Rochester,
NY |
master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830
Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.
|
|
695. |
09/02/79 |
Augusta Civic Center - Augusta,
ME |
flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1
|
|
696. |
09/04/79 |
Madison Square Garden - New York,
NY |
Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
|
|
697. |
09/05/79 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)
|
|
698. |
09/06/79 |
Madison Square Garden - New York,
NY |
Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
|
|
699. |
10/24/79 |
Springfield Civic Center - Springfield,
MA |
Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN
AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
|
|
700. |
10/25/79 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
701. |
10/27/79 |
Cape Cod Coliseum - South Yarmouth,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
702. |
10/28/79 |
Cape Cod Coliseum - South Yarmouth,
MA |
flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
703. |
10/31/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; SBD and Audience Matrix Mix
|
|
704. |
11/01/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
705. |
11/02/79 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
706. |
11/04/79 |
Providence Civic Center - Providence,
RI |
SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R;
Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald
|
notes
|
707. |
11/05/79 |
The Spectrum - Philadelphia,
PA |
flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
708. |
11/06/79 |
The Spectrum - Philadelphia,
PA |
flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
|
|
709. |
11/08/79 |
Capital Centre - Landover,
MD |
This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation
|
notes
|
710. |
11/09/79 |
Community War Memorial Auditorium - Buffalo,
NY |
flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
711. |
11/10/79 |
Crisler Arena - Ann Arbor,
MI |
Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd
|
|
712. |
11/23/79 |
Golden Hall, Community Concourse - San Diego,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller
|
|
713. |
11/24/79 |
Golden Hall, Community Concourse - San Diego,
CA |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
714. |
11/25/79 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
|
715. |
11/29/79 |
Cleveland Public Hall - Cleveland,
OH |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421
|
|
716. |
11/30/79 |
Stanley Theatre - Pittsburgh,
PA |
flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424
|
|
717. |
12/01/79 |
Stanley Theatre - Pittsburgh,
PA |
flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell
|
|
718. |
12/03/79 |
Uptown Theater - Chicago,
IL |
flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
|
|
719. |
12/04/79 |
Uptown Theatre - Chicago,
IL |
flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
|
720. |
12/05/79 |
Uptown Theater - Chicago,
IL |
flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
721. |
12/07/79 |
Indiana Convention Center - Indianapolis,
IN |
(3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114
|
|
722. |
12/09/79 |
Kiel Auditorium - St. Louis,
MO |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751
|
|
723. |
12/10/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
724. |
12/11/79 |
Soldiers & Sailors Memorial Hall - Kansas City,
KS |
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16;
All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165
|
|
725. |
12/26/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
726. |
12/27/79 |
Oakland Auditorium Arena - Oakland,
CA |
Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation
|
|
727. |
12/28/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273
|
|
728. |
12/30/79 |
Oakland Auditorium Arena - Oakland,
CA |
Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
|
|
729. |
12/31/79 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
|
|
730. |
01/13/80 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
731. |
03/30/80 |
Capitol Theater - Passaic,
NJ |
flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
|
732. |
04/01/80 |
Capitol Theater - Passaic,
NJ |
flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
|
|
733. |
04/28/80 |
Boutwell Auditorium - Birmingham,
AL |
flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
|
734. |
04/29/80 |
Fox Theater - Atlanta,
GA |
flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
|
|
735. |
05/01/80 |
Greensboro Coliseum - Greensboro,
NC |
Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation
|
|
736. |
05/02/80 |
Hampton Coliseum - Hampton,
VA |
Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc
|
|
737. |
05/04/80 |
Baltimore Civic Center - Baltimore,
MD |
flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates
|
|
738. |
05/06/80 |
Recreation Hall, Pennsylvania State University - State College,
PA |
flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris
|
|
739. |
05/07/80 |
Barton Hall, Cornell University - Ithaca,
NY |
SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller
|
notes
|
740. |
05/08/80 |
Glens Falls Civic Center - Glens Falls,
NY |
flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
|
741. |
05/10/80 |
Hartford Civic Center - Hartford,
CT |
flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
742. |
05/11/80 |
Cumberland County Civic Center - Portland,
ME |
flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087
|
|
743. |
05/12/80 |
Boston Garden - Boston,
MA |
flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)
|
|
744. |
05/14/80 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)
|
|
745. |
05/15/80 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1
|
|
746. |
05/30/80 |
Milwaukee Auditorium - Milwaukee,
WI |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
747. |
06/05/80 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master
(Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
|
|
748. |
06/07/80 |
Folsom Field, University Of Colorado - Boulder,
CO |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
749. |
06/08/80 |
Folsom Field, University Of Colorado - Boulder,
CO |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
750. |
06/13/80 |
Seattle Center Arena - Seattle,
WA |
Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
|
notes
|
751. |
06/19/80 |
West High Auditorium - Anchorage,
AK |
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
|
|
752. |
06/20/80 |
West High Auditorium - Anchorage,
AK |
flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
|
|
753. |
06/21/80 |
West High Auditorium - Anchorage,
AK |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
754. |
06/29/80 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy
|
|
755. |
07/01/80 |
San Diego Sports Arena - San Diego,
CA |
sbd>?>dat; there are splices from an unknown
source at Althea and also for the encore; Seeded to etree by Brian Cole
|
notes
|
756. |
08/19/80 |
Uptown Theater - Chicago,
IL |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
757. |
08/20/80 |
Uptown Theater - Chicago,
IL |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
758. |
08/21/80 |
Uptown Theater - Chicago,
IL |
flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
759. |
08/24/80 |
Grand Center - Grand Rapids,
MI |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
760. |
08/26/80 |
Cleveland Public Hall - Cleveland,
OH |
sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN
Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source
|
notes
|
761. |
08/29/80 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
762. |
08/30/80 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
763. |
09/02/80 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
|
|
764. |
09/03/80 |
Springfield Civic Center - Springfield,
MA |
sbd.healy.dlseries#7.flac
|
|
765. |
09/06/80 |
State Fairgrounds - Lewiston,
ME |
flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
|
|
766. |
09/25/80 |
Warfield Theater - San Francisco,
CA |
flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
|
767. |
09/26/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
768. |
09/27/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
769. |
09/29/80 |
Warfield Theater - San Francisco,
CA |
SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko
|
notes
|
770. |
09/30/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
|
|
771. |
10/02/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007
|
|
772. |
10/03/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007.
|
notes
|
773. |
10/04/80 |
Warfield Theater - San Francisco,
CA |
complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard
|
notes
|
774. |
10/06/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.
|
|
775. |
10/07/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007.
|
notes
|
776. |
10/09/80 |
Warfield Theater - San Francisco,
CA |
flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp
|
|
777. |
10/10/80 |
Warfield Theater - San Francisco,
CA |
flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell
|
|
778. |
10/11/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
|
notes
|
779. |
10/13/80 |
Warfield Theater - San Francisco,
CA |
flac16; sbd composite upgrade by Alan Bershaw; see info file for details
|
|
780. |
10/14/80 |
Warfield Theater - San Francisco,
CA |
flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008.
|
|
781. |
10/18/80 |
Saenger Performing Arts Center - New Orleans,
LA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
782. |
10/19/80 |
Saenger Performing Arts Center - New Orleans,
LA |
flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac
|
|
783. |
10/22/80 |
Radio City Music Hall - New York,
NY |
flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
|
|
784. |
10/23/80 |
Radio City Music Hall - New York,
NY |
flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne
|
|
785. |
10/25/80 |
Radio City Music Hall - New York,
NY |
flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
|
786. |
10/26/80 |
Radio City Music Hall - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
787. |
10/27/80 |
Radio City Music Hall - New York,
NY |
flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
788. |
10/29/80 |
Radio City Music Hall - New York,
NY |
flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
789. |
10/30/80 |
Radio City Music Hall - New York,
NY |
flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
790. |
10/31/80 |
Radio City Music Hall - New York,
NY |
flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli
|
|
791. |
11/26/80 |
The Sportatorium - Pembroke Pines,
FL |
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
792. |
11/28/80 |
Lakeland Civic Center - Lakeland,
FL |
flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin
|
|
793. |
11/29/80 |
Alligator Alley Gymnasium, University Of Florida - Gainesville,
FL |
flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
|
|
794. |
11/30/80 |
Fox Theater - Atlanta,
GA |
flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info:
Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell
|
|
795. |
12/06/80 |
Mill Valley Recreation Center - Mill Valley,
CA |
Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
796. |
12/12/80 |
Swing Auditorium - San Bernardino,
CA |
flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller
|
|
797. |
12/13/80 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
798. |
12/14/80 |
Long Beach Arena - Long Beach,
CA |
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
|
799. |
12/27/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
800. |
12/28/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1
|
|
801. |
12/30/80 |
Oakland Auditorium Arena - Oakland,
CA |
Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
802. |
12/30/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
803. |
12/31/80 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz
|
|
804. |
02/28/81 |
Uptown Theater - Chicago,
IL |
flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
|
|
805. |
03/02/81 |
Cleveland Music Hall - Cleveland,
OH |
flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
|
|
806. |
03/03/81 |
Cleveland Music Hall - Cleveland,
OH |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
|
|
807. |
03/07/81 |
Cole Field House, University Of Maryland - College Park,
MD |
flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording
Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
|
808. |
03/09/81 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)
|
|
809. |
03/10/81 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
810. |
03/13/81 |
Utica Memorial Auditorium - Utica,
NY |
flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
811. |
03/20/81 |
Rainbow Theatre - London,
England |
flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage).
Tape kindly provided by Seaweed1010.
Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 >
Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011.
|
|
812. |
03/20/81 |
Rainbow Theatre - London,
England |
flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.)
|
|
813. |
03/23/81 |
Rainbow Theatre - London,
England |
AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn
MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T
C/1: TDK SA-C90, dolby B
via Bernd Weiskircher
|
|
814. |
03/24/81 |
Rainbow Theatre - London,
England |
AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn
MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T
C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher
|
|
815. |
03/28/81 |
Grugahalle - Essen,
Germany |
flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend
|
|
816. |
05/01/81 |
Hampton Coliseum - Hampton,
VA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
817. |
05/02/81 |
The Spectrum - Philadelphia,
PA |
flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
|
|
818. |
05/04/81 |
The Spectrum - Philadelphia,
PA |
flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008.
|
|
819. |
05/05/81 |
Glens Falls Civic Center - Glens Falls,
NY |
flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
|
820. |
05/06/81 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
|
|
821. |
05/08/81 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)
|
|
822. |
05/09/81 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008
|
|
823. |
05/11/81 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
824. |
05/12/81 |
Veterans Memorial Coliseum - New Haven,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
825. |
05/13/81 |
Providence Civic Center - Providence,
RI |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86780 & 136724.
|
|
826. |
05/15/81 |
Athletic Center, Rutgers University - Piscataway,
NJ |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
827. |
05/16/81 |
Barton Hall, Cornell University - Ithaca,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
828. |
07/04/81 |
Manor Downs - Austin,
TX |
flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:
Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller
|
|
829. |
07/07/81 |
Kansas City Municipal Auditorium Arena - Kansas City,
MO |
flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962)
|
|
830. |
07/08/81 |
Kiel Auditorium - St. Louis,
MO |
flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
|
831. |
07/10/81 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
832. |
08/14/81 |
Seattle Center Coliseum - Seattle,
WA |
flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
|
833. |
08/16/81 |
McArthur Court, University Of Oregon - Eugene,
OR |
flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
|
834. |
08/28/81 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
835. |
08/30/81 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
|
836. |
09/11/81 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
|
|
837. |
09/12/81 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
|
|
838. |
09/13/81 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD
Set 2: SBD -> Cassette Master -> Cassette
All Transfers and Mastering By Charlie Miller
|
|
839. |
09/26/81 |
Community War Memorial Auditorium - Buffalo,
NY |
flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell
|
|
840. |
09/27/81 |
Capital Centre - Landover,
MD |
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
841. |
10/03/81 |
Rainbow Theatre - London,
England |
flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller
|
|
842. |
10/04/81 |
Rainbow Theatre - London,
England |
flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012
|
|
843. |
10/06/81 |
Rainbow Theatre - London,
England |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
844. |
10/08/81 |
Forum Theater - Copenhagen,
Denmark |
flac16; Recording and transfer info SBD > CM > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > flac
|
|
845. |
10/12/81 |
Olympia Halle - Munich,
Germany |
flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
|
|
846. |
10/13/81 |
Walter Koebel Halle - Russelsheim,
Germany |
flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac
|
|
847. |
10/16/81 |
Club Melk Weg - Amsterdam,
Netherlands |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
848. |
10/17/81 |
The Hippodrome - Paris,
France |
flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
849. |
10/19/81 |
Sports Palace - Barcelona,
Spain |
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
850. |
11/30/81 |
Hara Arena - Dayton,
OH |
flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller
|
|
851. |
12/02/81 |
Assembly Hall, University Of Illinois - Champaign,
IL |
flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller
|
|
852. |
12/03/81 |
Dane County Coliseum - Madison,
WI |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
853. |
12/05/81 |
Market Square Arena - Indianapolis,
IN |
flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
854. |
12/06/81 |
Rosemont Horizon - Rosemont,
IL |
flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
855. |
12/09/81 |
Events Center, University Of Colorado - Boulder,
CO |
flac16;
SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
All Transfers and Mastering By Charlie Miller
|
|
856. |
12/12/81 |
Fiesta Hall, San Mateo County Fairgrounds - San Mateo,
CA |
flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
|
857. |
12/26/81 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD
Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed
|
|
858. |
12/27/81 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Dolby B)
Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
Transferred and Mastered By David Gans
Converted To FLAC By Charlie Miller
Thanks to Joani Walker and Paul Scotton for the tapes
|
|
859. |
12/30/81 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC
|
|
860. |
12/31/81 |
Oakland Auditorium Arena - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
|
|
861. |
02/17/82 |
Warfield Theater - San Francisco,
CA |
flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16;
All Transfers and Mastering By Charlie Miller
|
|
862. |
02/20/82 |
Golden Hall, Community Concourse - San Diego,
CA |
flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
|
863. |
02/21/82 |
Pauley Pavilion, UCLA - Los Angeles,
CA |
Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath
|
notes
|
864. |
04/02/82 |
Cameron Indoor Stadium, Duke University - Durham,
NC |
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
|
865. |
04/03/82 |
The Scope - Norfolk,
VA |
flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
|
866. |
04/06/82 |
The Spectrum - Philadelphia,
PA |
flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
867. |
04/09/82 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
868. |
04/11/82 |
Nassau Coliseum - Uniondale,
NY |
Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks
|
notes
|
869. |
04/12/82 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014
|
|
870. |
04/14/82 |
Glens Falls Civic Center - Glens Falls,
NY |
flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.
|
|
871. |
04/17/82 |
Hartford Civic Center - Hartford,
CT |
Bertha Remaster of unknown Soundboard source
(*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
|
872. |
04/18/82 |
Hartford Civic Center - Hartford,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
873. |
04/19/82 |
Baltimore Civic Center - Baltimore,
MD |
flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
|
|
874. |
05/21/82 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
|
|
875. |
05/22/82 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
876. |
05/23/82 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
877. |
05/28/82 |
Moscone Convention Center - San Francisco,
CA |
flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5
Taper: unknown
Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax >
Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer >
.wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).
|
|
878. |
07/17/82 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
879. |
07/18/82 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
880. |
07/27/82 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller
|
|
881. |
07/28/82 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
882. |
07/29/82 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
|
883. |
07/31/82 |
Manor Downs - Austin,
TX |
flac16: Exact "as is" untouched DAT transfers from Dick Latvala
Transfered by Jamie Waddell on the **GEMS** Edit Station
Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
|
|
884. |
08/01/82 |
Zoo Amphitheater - Oklahoma City,
OK |
flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford
|
|
885. |
08/03/82 |
Starlight Theater - Kansas City,
MO |
flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
886. |
08/06/82 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
887. |
08/07/82 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
|
|
888. |
08/08/82 |
Alpine Valley Music Theatre - East Troy,
WI |
SBD : MC > MR > DAT > CDR
Transfer done by Jim Wise
|
notes
|
889. |
08/10/82 |
University Of Iowa Fieldhouse - Iowa City,
IA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
890. |
08/28/82 |
Oregon Country Fair - Veneta,
OR |
flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749
|
|
891. |
09/05/82 |
US Festival, Glen Helen Regional Park - Devore,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
892. |
09/09/82 |
Saenger Performing Arts Center - New Orleans,
LA |
flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
|
|
893. |
09/11/82 |
West Palm Beach Civic Center - West Palm Beach,
FL |
flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155)
|
|
894. |
09/15/82 |
Capital Centre - Landover,
MD |
flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015
|
|
895. |
09/17/82 |
Cumberland County Civic Center - Portland,
ME |
flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD
|
|
896. |
09/18/82 |
Boston Garden - Boston,
MA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
897. |
09/20/82 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
898. |
09/21/82 |
Madison Square Garden - New York,
NY |
flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
899. |
09/23/82 |
New Haven Veterans Memorial Coliseum - New Haven,
CT |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
900. |
09/24/82 |
Carrier Dome, Syracuse University - Syracuse,
NY |
SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc
|
notes
|
901. |
10/09/82 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008
|
|
902. |
10/10/82 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)
|
|
903. |
11/25/82 |
Bob Marley Performing Arts Center - Montego Bay,
Jamaica |
Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C
|
|
904. |
12/26/82 |
Oakland Auditorium - Oakland,
CA |
flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen)
Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db)
Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16
edited and mastered SIRMick December 2021
|
|
905. |
12/27/82 |
Oakland Auditorium - Oakland,
CA |
flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell
|
|
906. |
12/28/82 |
Oakland Auditorium - Oakland,
CA |
flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.
|
|
907. |
12/30/82 |
Oakland Auditorium - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
908. |
12/31/82 |
Oakland Auditorium - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16;
All Transfers and Mastering By Charlie Miller
|
|
909. |
03/25/83 |
Compton Terrace Amphitheatre - Tempe,
AZ |
SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC ->
Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller
|
|
910. |
03/26/83 |
Aladdin Theater - Las Vegas,
NV |
flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
911. |
03/27/83 |
Irvine Meadows - Irvine,
CA |
AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd
|
|
912. |
04/09/83 |
Hampton Coliseum - Hampton,
VA |
flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN ->
WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
913. |
04/13/83 |
Patrick Gymnasium, U of Vermont - Burlington,
VT |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
914. |
04/15/83 |
Community War Memorial Auditorium - Rochester,
NY |
flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
|
|
915. |
04/16/83 |
Meadowlands Arena - East Rutherford,
NJ |
flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
|
|
916. |
04/17/83 |
Meadowlands Arena - East Rutherford,
NJ |
flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
|
|
917. |
04/20/83 |
Providence Civic Center - Providence,
RI |
flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
|
918. |
04/22/83 |
Veterans' Memorial Coliseum - New Haven,
CT |
Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR
|
|
919. |
04/23/83 |
Veterans' Memorial Coliseum - New Haven,
CT |
flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
920. |
04/25/83 |
The Spectrum - Philadelphia,
PA |
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
|
921. |
04/26/83 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
922. |
05/14/83 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396
|
|
923. |
05/15/83 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397
|
|
924. |
06/24/83 |
Dane County Coliseum - Madison,
WI |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
925. |
06/25/83 |
St. Paul Civic Center - St. Paul,
MN |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
926. |
06/27/83 |
Poplar Creek Music Theatre - Hoffman Estates,
IL |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
927. |
06/28/83 |
Poplar Creek Music Theatre - Hoffman Estates,
IL |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
928. |
07/30/83 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
|
929. |
08/29/83 |
Silva Hall, Hult Center - Eugene,
OR |
flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors
|
|
930. |
09/02/83 |
Boise State University Pavillion - Boise,
ID |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
931. |
09/06/83 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
932. |
09/07/83 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) ->
Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Miller
|
|
933. |
09/11/83 |
Santa Fe Downs - Santa Fe,
NM |
SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds
|
|
934. |
10/08/83 |
Richmond Coliseum - Richmond,
VA |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
935. |
10/09/83 |
Greensboro Coliseum - Greensboro,
NC |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
936. |
10/11/83 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton
|
|
937. |
10/12/83 |
Madison Square Garden - New York,
NY |
flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008
|
|
938. |
10/14/83 |
Hartford Civic Center - Hartford,
CT |
sbd.dickspicks#6.flac
|
|
939. |
10/15/83 |
Hartford Civic Center - Hartford,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
940. |
10/17/83 |
Olympic Center - Lake Placid,
NY |
flac16; Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
941. |
10/18/83 |
Cumberland County Civic Center - Portland,
ME |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
942. |
10/20/83 |
The Centrum - Worcester,
MA |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
943. |
10/21/83 |
The Centrum - Worcester,
MA |
flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC)
|
|
944. |
10/22/83 |
Carrier Dome, Syracuse University - Syracuse,
NY |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
945. |
10/31/83 |
Marin County Veterans Auditorium - San Rafael,
CA |
SBD>MC>DAT>CDR>EAC>CDWAV>SHN - Fix of shn id 3827 via Bill Tetzeli
|
|
946. |
12/27/83 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
947. |
12/28/83 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16:Recorded by The Weasel - "Da Weez"
Transferred and mastered to .wav files by D5scott
Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
948. |
12/30/83 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
949. |
12/31/83 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
950. |
03/28/84 |
Marin County Veterans Auditorium - San Rafael,
CA |
(FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut
|
notes
|
951. |
04/01/84 |
Marin County Veterans Auditorium - San Rafael,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
952. |
04/06/84 |
Aladdin Theater - Las Vegas,
NV |
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
|
953. |
04/07/84 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller
|
|
954. |
04/16/84 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
955. |
04/17/84 |
Niagara Falls Convention Center - Niagara Falls,
NY |
flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC
|
|
956. |
04/19/84 |
Philadelphia Civic Center - Philadelphia,
PA |
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge
|
|
957. |
04/20/84 |
Philadelphia Civic Center - Philadelphia,
PA |
flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
958. |
04/21/84 |
Philadelphia Civic Center - Philadelphia,
PA |
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
|
959. |
04/23/84 |
Veterans' Memorial Coliseum - New Haven,
CT |
flac16; Recording Info:SBD -> Cassette Master -> Cassette (TDK SA-X90
Dolby B); Transfer Info:Cassette (Nakamichi DR-1
Dolby B) -> Sound Devices 744T (24bit
96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC
16; All Transfers and Mastering By Charlie Miller
|
|
960. |
04/27/84 |
Providence Civic Center - Providence,
RI |
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
|
961. |
04/30/84 |
Nassau Coliseum - Uniondale,
NY |
flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
|
|
962. |
05/08/84 |
Silva Hall, Hult Center - Eugene,
OR |
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
963. |
06/13/84 |
Red Rocks Ampitheatre - Morrison,
CO |
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes
|
|
964. |
06/14/84 |
Red Rocks Ampitheatre - Morrison,
CO |
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
|
965. |
06/21/84 |
Kingswood Music Theater - Maple,
ON |
FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame
|
|
966. |
06/24/84 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller
|
|
967. |
06/26/84 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
968. |
06/27/84 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
969. |
06/30/84 |
Indianapolis Sports and Music Center - Indianapolis,
IN |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
970. |
07/01/84 |
Pine Knob Music Theater - Clarkston,
MI |
flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
971. |
07/03/84 |
Starlight Theater - Kansas City,
MO |
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
|
|
972. |
07/04/84 |
Five Seasons Center - Cedar Rapids,
IA |
SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
|
|
973. |
07/07/84 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
|
974. |
07/13/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
975. |
07/14/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
976. |
07/15/84 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
977. |
07/21/84 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
978. |
07/22/84 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; SBD -> PCM -> Dat
Transferred and Edited By Charlie Miller
|
|
979. |
10/08/84 |
The Centrum - Worcester,
MA |
flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither
|
|
980. |
10/09/84 |
The Centrum - Worcester,
MA |
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
|
981. |
10/11/84 |
Augusta Civic Center - Augusta,
ME |
flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
|
|
982. |
10/12/84 |
Augusta Civic Center - Augusta,
ME |
flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
983. |
10/14/84 |
Hartford Civic Center - Hartford,
CT |
Recorded by The Weasel - "Da Weez"
Transferred and mastered to .wav files by D5scott
source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes
transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
|
984. |
10/15/84 |
Hartford Civic Center - Hartford,
CT |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
985. |
10/17/84 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
|
986. |
10/18/84 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
|
987. |
10/20/84 |
Carrier Dome, Syracuse U - Syracuse,
NY |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673
|
|
988. |
10/31/84 |
Berkeley Community Theater - Berkeley,
CA |
Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters.
Original SHN conversion by Mike Lai.
Note- This is a re-seed of previous seed by C Ladner; See info file for details
|
|
989. |
11/02/84 |
Berkeley Community Theater - Berkeley,
CA |
Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT)
Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed;
Set 2 source: DAT via Joe Samaritano.
Seeded to Fungus and abgd by Charlie Connor
|
|
990. |
11/03/84 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
991. |
12/28/84 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
|
|
992. |
12/31/84 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
|
993. |
??/??/84 |
1984 Studio Material - San Rafael?,
CA |
demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans
|
|
994. |
02/18/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Source: 3 Sennheiser 421 microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
995. |
03/09/85 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC;
Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331
|
|
996. |
03/12/85 |
Berkeley Community Theater - Berkeley,
CA |
flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford.
|
|
997. |
03/13/85 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
998. |
03/22/85 |
Hampton Coliseum - Hampton,
VA |
Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
|
999. |
03/25/85 |
Springfield Civic Center - Springfield,
MA |
flac16; 2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers
|
|
1000. |
03/27/85 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo
|
|
1001. |
03/28/85 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico
|
|
1002. |
03/29/85 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend
|
|
1003. |
03/31/85 |
Cumberland County Civic Center - Portland,
ME |
flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
|
1004. |
04/01/85 |
Cumberland County Civic Center - Portland,
ME |
flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16
|
|
1005. |
04/03/85 |
Providence Civic Center - Providence,
RI |
flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015.
|
|
1006. |
04/04/85 |
Providence Civic Center - Providence,
RI |
Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR
|
|
1007. |
04/06/85 |
The Spectrum - Philadelphia,
PA |
Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks
Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
|
1008. |
04/07/85 |
The Spectrum - Philadelphia,
PA |
flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
|
|
1009. |
04/08/85 |
The Spectrum - Philadelphia,
PA |
flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford
|
|
1010. |
04/13/85 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1011. |
04/21/85 |
Marin Veterans Memorial Auditorium - San Rafael,
CA |
flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac
|
|
1012. |
04/27/85 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)]
Tapers: Adam, Justin & Monica
Mark McCue Masters
Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.
|
|
1013. |
06/14/85 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1014. |
06/15/85 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1015. |
06/16/85 |
Greek Theater, U. of California - Berkeley,
CA |
flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell.
|
|
1016. |
06/21/85 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007.
|
|
1017. |
06/22/85 |
Alpine Valley Music Theatre - East Troy,
WI |
SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree
|
|
1018. |
06/24/85 |
River Bend Music Center - Cincinnati,
OH |
flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1019. |
06/25/85 |
Blossom Music Center - Cuyahoga Falls,
OH |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
1020. |
06/27/85 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)
|
|
1021. |
06/28/85 |
Hershey Park Stadium - Hershey,
PA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1022. |
06/30/85 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
1023. |
07/01/85 |
Merriweather Post Pavilion - Columbia,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
1024. |
07/02/85 |
Civic Arena - Pittsburgh,
PA |
flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.
|
|
1025. |
07/13/85 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1026. |
07/14/85 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1027. |
08/24/85 |
Boreal Ridge Ski Resort - Donner's Summit,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1028. |
09/03/85 |
Starlight Theater - Kansas City,
MO |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
1029. |
09/05/85 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin
|
|
1030. |
09/06/85 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1031. |
09/07/85 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC)
June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.)
|
|
1032. |
09/12/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
|
1033. |
09/15/85 |
Devore Field, Southwestern U - Chula Vista,
CA |
flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1034. |
10/28/85 |
Fox Theater - Atlanta,
GA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1035. |
10/29/85 |
Fox Theater - Atlanta,
GA |
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90);
Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1036. |
10/31/85 |
Carolina Coliseum, University Of South Carolina - Columbia,
SC |
flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282)
|
notes
|
1037. |
11/01/85 |
Richmond Coliseum - Richmond,
VA |
flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008
|
|
1038. |
11/02/85 |
Richmond Coliseum - Richmond,
VA |
SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
|
|
1039. |
11/04/85 |
The Centrum - Worcester,
MA |
flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
|
1040. |
11/05/85 |
The Centrum - Worcester,
MA |
sdb> reel master> cassette> dat> cdr; via Mike Lai
|
|
1041. |
11/07/85 |
Community War Memorial Auditorium - Rochester,
NY |
flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.)
|
|
1042. |
11/08/85 |
Community War Memorial Auditorium - Rochester,
NY |
Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min
|
|
1043. |
11/10/85 |
Meadowlands Arena - East Rutherford,
NJ |
Master Soundboard Cassette > DAT > Sonic Solutions > CD
seeded by Steve Barbella
|
|
1044. |
11/11/85 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
|
1045. |
11/17/85 |
Long Beach Arena - Long Beach,
CA |
flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
|
|
1046. |
11/20/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent
|
|
1047. |
11/21/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1048. |
11/22/85 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1049. |
12/30/85 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1050. |
12/31/85 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1051. |
02/08/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1052. |
02/09/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1053. |
02/11/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1054. |
02/12/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1055. |
02/12/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
|
1056. |
02/14/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details
|
notes
|
1057. |
03/19/86 |
Hampton Coliseum - Hampton,
VA |
flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander
Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905
|
|
1058. |
03/20/86 |
Hampton Coliseum - Hampton,
VA |
Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy
|
|
1059. |
03/21/86 |
Hampton Coliseum - Hampton,
VA |
flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
|
|
1060. |
03/23/86 |
The Spectrum - Philadelphia,
PA |
flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
|
|
1061. |
03/24/86 |
The Spectrum - Philadelphia,
PA |
flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
|
1062. |
03/25/86 |
The Spectrum - Philadelphia,
PA |
Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
|
|
1063. |
03/27/86 |
Cumberland County Civic Center - Portland,
ME |
SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation
|
|
1064. |
03/28/86 |
Cumberland County Civic Center - Portland,
ME |
flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
|
1065. |
03/30/86 |
Providence Civic Center - Providence,
RI |
flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
|
1066. |
03/31/86 |
Providence Civic Center - Providence,
RI |
flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1067. |
04/01/86 |
Providence Civic Center - Providence,
RI |
flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
|
1068. |
04/03/86 |
Hartford Civic Center - Hartford,
CT |
SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.
|
|
1069. |
04/04/86 |
Hartford Civic Center - Hartford,
CT |
flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8
|
|
1070. |
04/12/86 |
Irvine Meadows - Irvine,
CA |
flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes.
Tapers: Adam & Justin.
1st Gen Cassettes provided by Mark McCue.
Transfer, edits, conversion & seeding by Alex Ford May 2007.
|
|
1071. |
04/18/86 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1072. |
04/19/86 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK
|
|
1073. |
04/21/86 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
|
|
1074. |
04/22/86 |
Berkeley Community Theater - Berkeley,
CA |
flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
|
|
1075. |
05/03/86 |
Cal Expo Amphitheatre - Sacramento,
CA |
sbd.30tripsboxset.flac
|
|
1076. |
05/04/86 |
Cal Expo Amphitheatre - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1077. |
05/10/86 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1078. |
05/11/86 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1079. |
06/21/86 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
|
1080. |
06/22/86 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1081. |
06/26/86 |
Hubert H. Humphrey Metrodome - Minneapolis,
MN |
flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz
|
|
1082. |
06/28/86 |
Alpine Valley Music Theatre - East Troy,
WI |
Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller
|
|
1083. |
06/29/86 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Recorded by David Cohen Sec 2 Row KK Seat 44 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
|
1084. |
06/30/86 |
Riverbend Music Center - Cincinnati,
OH |
flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
|
1085. |
07/02/86 |
Rubber Bowl, University of Akron - Akron,
OH |
flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey
|
|
1086. |
07/04/86 |
Rich Stadium - Buffalo,
NY |
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1087. |
07/06/86 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L.
|
|
1088. |
07/07/86 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90)
All Transfers and Mastering By Charlie Miller
|
|
1089. |
12/15/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1090. |
12/16/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1091. |
12/17/86 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
|
|
1092. |
12/27/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1093. |
12/28/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin
|
|
1094. |
12/30/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1095. |
12/31/86 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1096. |
01/28/87 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1097. |
01/29/87 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1098. |
01/30/87 |
San Francisco Civic Auditorium - San Francisco,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1099. |
03/01/87 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1100. |
03/02/87 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates
|
|
1101. |
03/03/87 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates
|
|
1102. |
03/22/87 |
Hampton Coliseum - Hampton,
VA |
flac16; SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net)
|
|
1103. |
03/23/87 |
Hampton Coliseum - Hampton,
VA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1104. |
03/24/87 |
Hampton Coliseum - Hampton,
VA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1105. |
03/26/87 |
Hartford Civic Center - Hartford,
CT |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16
|
|
1106. |
03/27/87 |
Hartford Civic Center - Hartford,
CT |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1107. |
03/29/87 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1108. |
03/30/87 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1109. |
03/31/87 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1110. |
04/02/87 |
The Centrum - Worcester,
MA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1111. |
04/03/87 |
The Centrum - Worcester,
MA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1112. |
04/04/87 |
The Centrum - Worcester,
MA |
flac16; Recording Info: FM (WCUW) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1113. |
04/06/87 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1114. |
04/07/87 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1115. |
04/09/87 |
UIC Pavilion - Chicago,
IL |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1116. |
04/10/87 |
UIC Pavilion - Chicago,
IL |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1117. |
04/11/87 |
UIC Pavilion - Chicago,
IL |
flac16; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1118. |
04/17/87 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1119. |
04/18/87 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1120. |
04/19/87 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1121. |
05/02/87 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1122. |
05/03/87 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
|
|
1123. |
05/09/87 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1124. |
05/10/87 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1125. |
06/12/87 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1126. |
06/13/87 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1127. |
06/14/87 |
Ventura County Fairgrounds - Ventura,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1128. |
06/19/87 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1129. |
06/20/87 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1130. |
06/21/87 |
Greek Theatre, University Of California - Berkeley,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1131. |
06/26/87 |
Alpine Valley Music Theatre - East Troy,
WI |
AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
|
|
1132. |
06/27/87 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
|
1133. |
06/28/87 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked Metadata Tagging With Korg Aqua To 16/44 By Keo
|
|
1134. |
06/30/87 |
Kingswood Music Theater - Maple,
ON |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1135. |
06/??/87 |
Club Front - San Rafael,
CA |
Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN
|
|
1136. |
07/02/87 |
Silver Stadium - Rochester,
NY |
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
|
1137. |
07/04/87 |
Sullivan Stadium - Foxboro,
MA |
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1138. |
07/06/87 |
Civic Arena - Pittsburgh,
PA |
flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
|
1139. |
07/07/87 |
Roanoke Civic Center - Roanoke,
VA |
flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
|
|
1140. |
07/08/87 |
Roanoke Civic Center - Roanoke,
VA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1141. |
07/10/87 |
John F Kennedy Stadium - Philadelphia,
PA |
flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1142. |
07/12/87 |
Giants Stadium - East Rutherford,
NJ |
flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
1143. |
07/19/87 |
Autzen Stadium, University Of Oregon - Eugene,
OR |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
|
1144. |
07/24/87 |
Oakland-Alameda County Stadium - Oakland,
CA |
flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C, taped from 60 feet away,dead center, using Maxell MX 90 No nr, by Russ Cansler
|
|
1145. |
07/26/87 |
Anaheim Stadium - Anaheim,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1146. |
08/11/87 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD;
Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC
Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller
|
|
1147. |
08/12/87 |
Red Rocks Amphitheatre - Morrison,
CO |
flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF (24bit/48k) Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1148. |
08/13/87 |
Red Rocks Amphitheatre - Morrison,
CO |
S:?>D>CD via Chris Larson
|
|
1149. |
08/15/87 |
Town Park - Telluride,
CO |
PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable)
|
|
1150. |
08/16/87 |
Town Park - Telluride,
CO |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1151. |
08/18/87 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
|
|
1152. |
08/20/87 |
Park West Ski Resort - Park City,
UT |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1153. |
08/22/87 |
Calaveras County Fairgrounds - Angels Camp,
CA |
flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
|
1154. |
08/23/87 |
Calaveras County Fairgrounds - Angels Camp,
CA |
flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1155. |
09/07/87 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
|
1156. |
09/08/87 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering by Charlie Miller
|
|
1157. |
09/09/87 |
Providence Civic Center - Providence,
RI |
flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller
|
|
1158. |
09/11/87 |
Capital Centre - Landover,
MD |
flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1159. |
09/12/87 |
Capital Centre - Landover,
MD |
Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.
|
|
1160. |
09/13/87 |
Capital Centre - Landover,
MD |
flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1161. |
09/15/87 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC
(2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller
|
|
1162. |
09/16/87 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1163. |
09/18/87 |
Madison Square Garden - New York,
NY |
Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
|
|
1164. |
09/19/87 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain
|
|
1165. |
09/20/87 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain
|
|
1166. |
09/22/87 |
The Spectrum - Philadelphia,
PA |
flac16; Matrix 2 Source Mix - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - matrix mixing by Kevin Tobin
|
|
1167. |
09/23/87 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain
|
|
1168. |
09/24/87 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> CD Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t03 of shn id 92282)
|
|
1169. |
10/02/87 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1170. |
10/03/87 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
|
1171. |
10/04/87 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1172. |
11/06/87 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1173. |
11/07/87 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
|
1174. |
11/08/87 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info:FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1175. |
11/13/87 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS); Set 2: SBD -> Cassette Master (TDK MA-R90); Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1176. |
11/14/87 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1177. |
11/15/87 |
Long Beach Arena - Long Beach,
CA |
flac16; Recording Info: SBD -> Sony D6 Cassette Master (TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1178. |
12/27/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1179. |
12/28/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1180. |
12/30/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1181. |
12/31/87 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1182. |
02/13/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller
|
|
1183. |
02/14/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller
|
|
1184. |
02/16/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller
|
|
1185. |
02/17/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1186. |
03/12/88 |
Civic Auditorium - San Francisco,
CA |
flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017
|
|
1187. |
03/16/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
1188. |
03/17/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1189. |
03/18/88 |
Henry J. Kaiser Convention Center - Oakland,
CA |
flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1190. |
03/24/88 |
The Omni - Atlanta,
GA |
flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
|
1191. |
03/26/88 |
Hampton Coliseum - Hampton,
VA |
flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin
|
|
1192. |
03/27/88 |
Hampton Coliseum - Hampton,
VA |
flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1193. |
03/28/88 |
Hampton Coliseum - Hampton,
VA |
flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
|
1194. |
03/30/88 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1195. |
03/31/88 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1196. |
04/01/88 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Source: SBD > In-house FM-mix > Sony SRF-4 FM receiver > Sony TC-D5M > Maxell MX-90's, w/no Dolby. Recorded inside the show, from OTS area. Transfer: MFC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
|
1197. |
04/03/88 |
Hartford Civic Center - Hartford,
CT |
flac16/44 Recording Info:
(FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k)
Transfer Info:
DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
|
|
1198. |
04/05/88 |
Hartford Civic Center - Hartford,
CT |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1199. |
04/07/88 |
The Centrum - Worcester,
MA |
flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
|
1200. |
04/08/88 |
The Centrum - Worcester,
MA |
flac16: Recorded by The Weasel - "Da Weez"
Transferred and mastered to .wav files by D5scott
Source: 2 Neumann KMF4 - microphones (12th row-center) > Sony TC-D5M - analog master cassettes
Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1201. |
04/09/88 |
The Centrum - Worcester,
MA |
flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
|
1202. |
04/11/88 |
Joe Louis Arena - Detroit,
MI |
flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1203. |
04/13/88 |
Rosemont Horizon - Rosemont,
IL |
flac2496 Recording Info:
Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90)
Transfer Info:
Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) >
Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 >
Samplitude Pro X6 Suite > FLAC/24
|
|
1204. |
04/15/88 |
Rosemont Horizon - Rosemont,
IL |
flac16 Recording Info:SBD -> Dat (48k); Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1205. |
04/22/88 |
Irvine Meadows - Irvine,
CA |
flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
|
1206. |
04/23/88 |
Irvine Meadows - Irvine,
CA |
flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
|
1207. |
04/30/88 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1208. |
05/01/88 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster
|
|
1209. |
06/19/88 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
|
1210. |
06/20/88 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1211. |
06/23/88 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
|
1212. |
06/25/88 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford.
|
|
1213. |
06/26/88 |
Civic Arena - Pittsburgh,
PA |
flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
|
|
1214. |
06/28/88 |
Saratoga Performing Arts Center - Saratoga Springs,
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller
|
|
1215. |
06/30/88 |
Silver Stadium - Rochester,
NY |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1216. |
07/02/88 |
Oxford Plains Speedway - Oxford,
ME |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
|
1217. |
07/03/88 |
Oxford Plains Speedway - Oxford,
ME |
flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
|
1218. |
07/15/88 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
|
|
1219. |
07/16/88 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Source: NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids(2) > Tascam PortaOne 4-Track; Cassette w/DBX Type II on > Maxell XLII-S90; Set up right of center on the hill behind seating and walkway on 2 mic stands 8'&12' high; Processing: Maxell XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps/start/end and patching) > encoded to FLAC (level 8) w/ TLH FM masters for patch processed the same as the audience masters (w/out dbx-224X) Maxell MX-90 > w/Onkyo TA-2027(Dolby C on)
|
|
1220. |
07/17/88 |
Greek Theatre, U. Of California - Berkeley,
CA |
flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1221. |
07/29/88 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1222. |
07/30/88 |
Laguna Seca Recreation Area - Monterey,
CA |
Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03
|
notes
|
1223. |
07/31/88 |
Laguna Seca Recreation Area - Monterey,
CA |
flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
|
1224. |
08/28/88 |
Autzen Stadium, University Of Oregon - Eugene,
OR |
flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.
|
|
1225. |
09/02/88 |
Capital Centre - Landover,
MD |
flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
|
1226. |
09/03/88 |
Capital Centre - Landover,
MD |
flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin
|
|
1227. |
09/05/88 |
Capital Centre - Landover,
MD |
flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
|
|
1228. |
09/06/88 |
Capital Centre - Landover,
MD |
flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8
|
|
1229. |
09/08/88 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
|
1230. |
09/09/88 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
|
1231. |
09/11/88 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
|
1232. |
09/12/88 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
|
1233. |
09/14/88 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1234. |
09/15/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
|
|
1235. |
09/16/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
|
1236. |
09/18/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
|
1237. |
09/19/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
|
1238. |
09/20/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
|
1239. |
09/22/88 |
Madison Square Garden - New York,
NY |
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1240. |
09/23/88 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
|
1241. |
09/24/88 |
Madison Square Garden - New York,
NY |
flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1242. |
09/30/88 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1243. |
10/01/88 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1244. |
10/02/88 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
1245. |
10/14/88 |
Miami Arena - Miami,
FL |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1246. |
10/15/88 |
Bayfront Center Arena - St. Petersburg,
FL |
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
|
1247. |
10/16/88 |
Bayfront Center - St. Petersburg,
FL |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1248. |
10/18/88 |
Keifer Lakefront Arena - New Orleans,
LA |
flac16; Matrix 3 Source Mix - SBD (shn id 17079) SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN Seeded to etree 05/07/03 by Steven Leeds + AUD1 (shn id 116240) Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz + AUD2 (shn id 122747) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
|
|
1249. |
10/20/88 |
The Summit - Houston,
TX |
flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
|
1250. |
10/21/88 |
Reunion Arena - Dallas,
TX |
Recording Info:
SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net
|
|
1251. |
12/09/88 |
Long Beach Arena - Long Beach,
CA |
AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
|
1252. |
12/10/88 |
Long Beach Arena - Long Beach,
CA |
AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
|
1253. |
12/11/88 |
Long Beach Arena - Long Beach,
CA |
AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
|
1254. |
12/28/88 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1255. |
12/29/88 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
|
|
1256. |
12/31/88 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90)
All Transfers and Mastering By Charlie Miller
|
|
1257. |
02/05/89 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
|
1258. |
02/06/89 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
|
1259. |
02/07/89 |
Henry J Kaiser Convention Center - Oakland,
CA |
flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
|
1260. |
02/10/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
|
1261. |
02/11/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1262. |
02/12/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1263. |
03/28/89 |
The Omni - Atlanta,
GA |
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1264. |
03/30/89 |
Greensboro Coliseum - Greensboro,
NC |
flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
|
1265. |
03/31/89 |
Greensboro Coliseum - Greensboro,
NC |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1266. |
04/02/89 |
Civic Arena - Pittsburgh,
PA |
flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin
|
|
1267. |
04/03/89 |
Civic Arena - Pittsburgh,
PA |
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1268. |
04/05/89 |
Crisler Arena - Ann Arbor,
MI |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1269. |
04/06/89 |
Crisler Arena - Ann Arbor,
MI |
flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin
|
|
1270. |
04/08/89 |
Riverfront Arena - Cincinnati,
OH |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1271. |
04/09/89 |
Freedom Hall - Louisville,
KY |
flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
1272. |
04/11/89 |
Rosemont Horizon - Rosemont,
IL |
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
|
notes
|
1273. |
04/12/89 |
Rosemont Horizon - Rosemont,
IL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1274. |
04/13/89 |
Rosemont Horizon - Rosemont,
IL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1275. |
04/15/89 |
The Mecca - Milwaukee,
WI |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
|
1276. |
04/16/89 |
The Mecca - Milwaukee,
WI |
flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
|
|
1277. |
04/17/89 |
Metropolitan Sports Center - Minneapolis,
MN |
flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
|
1278. |
04/28/89 |
Irvine Meadows - Irvine,
CA |
flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1279. |
04/29/89 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1280. |
04/30/89 |
Irvine Meadows - Irvine,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
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|
1281. |
05/06/89 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
|
1282. |
05/07/89 |
Frost Amphitheatre - Palo Alto,
CA |
flac16; Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1283. |
05/27/89 |
Oakland-Alameda County Stadium - Oakland,
CA |
flac16; SBD -> Cassette Master (Sony D5/Maxell MX90)
All Transfers and Mastering By Charlie Miller
|
|
1284. |
06/19/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1285. |
06/21/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
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|
1286. |
07/02/89 |
Sullivan Stadium - Foxboro,
MA |
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3)
Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) >
iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16
taped from OTS, and transferred by John Bleich
|
|
1287. |
07/04/89 |
Rich Stadium - Orchard Park,
NY |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1288. |
07/07/89 |
John F. Kennedy Stadium - Philadelphia,
PA |
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1289. |
07/09/89 |
Giants Stadium - East Rutherford,
NJ |
flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1290. |
07/10/89 |
Giants Stadium - East Rutherford,
NJ |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit
|
|
1291. |
07/12/89 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1292. |
07/13/89 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1293. |
07/15/89 |
Deer Creek Music Center - Noblesville,
IN |
flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1294. |
07/17/89 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
|
|
1295. |
07/18/89 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools
|
|
1296. |
07/19/89 |
Alpine Valley Music Theatre - East Troy,
WI |
flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
|
|
1297. |
08/04/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1298. |
08/05/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1299. |
08/06/89 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1300. |
08/17/89 |
The Greek Theatre - University of California - Berkeley,
CA |
flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
|
1301. |
08/18/89 |
The Greek Theatre - University of California - Berkeley,
CA |
flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
|
1302. |
08/19/89 |
The Greek Theatre - University Of California - Berkeley,
CA |
flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
|
1303. |
09/29/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1304. |
09/30/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1305. |
10/01/89 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
|
1306. |
10/08/89 |
Hampton Coliseum - Hampton,
VA |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1307. |
10/09/89 |
Hampton Coliseum - Hampton,
VA |
flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)
|
|
1308. |
10/11/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1309. |
10/12/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTools
|
|
1310. |
10/14/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz
|
|
1311. |
10/15/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
|
1312. |
10/16/89 |
Meadowlands Arena - East Rutherford,
NJ |
flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools
|
|
1313. |
10/18/89 |
The Spectrum - Philadelphia,
PA |
flac16; Matrix 2 Source Mix - SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - matrix mixing by Kevin Tobin
|
|
1314. |
10/19/89 |
The Spectrum - Philadelphia,
PA |
flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools
|
|
1315. |
10/20/89 |
The Spectrum - Philadelphia,
PA |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
1316. |
10/22/89 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
1317. |
10/23/89 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1318. |
10/25/89 |
Miami Arena - Miami,
FL |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1319. |
10/26/89 |
Miami Arena - Miami,
FL |
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1320. |
12/06/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1321. |
12/08/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3->
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|
1322. |
12/09/89 |
Great Western LA Forum - Inglewood,
CA |
flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston
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|
1323. |
12/10/89 |
Great Western LA Forum - Inglewood,
CA |
flac16; Recording Info: SBD (Dan Healy's UltraMatrix Mix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1324. |
12/27/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1325. |
12/28/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD -> Master Cassette
Transferred By David Gans
Converted to FLAC By Charlie Miller
|
|
1326. |
12/30/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
(OTS) Nakamichi CM-300/CP-4 > TCD-D10
Lineage: DAT-M > Tascam DA-30 > HHb CDR 800
Recorded/Transferred: Jeff Bowen
Extraction [CD>EAC>WAV>FLAC]: Brad Foster
|
|
1327. |
12/31/89 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1328. |
02/25/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1329. |
02/26/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
|
1330. |
02/27/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
|
1331. |
03/14/90 |
Capital Centre - Landover,
MD |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1332. |
03/15/90 |
Capital Centre - Landover,
MD |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1333. |
03/16/90 |
Capital Centre - Landover,
MD |
flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1334. |
03/18/90 |
Hartford Civic Center - Hartford,
CT |
flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
|
|
1335. |
03/19/90 |
Hartford Civic Center - Hartford,
CT |
flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTools
|
|
1336. |
03/21/90 |
Copps Coliseum - Hamilton,
ON |
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1337. |
03/22/90 |
Copps Coliseum - Hamilton,
ON |
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1338. |
03/24/90 |
Knickerbocker Arena - Albany,
NY |
flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
|
1339. |
03/25/90 |
Knickerbocker Arena - Albany,
NY |
flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; Upgrade in circulation
|
|
1340. |
03/26/90 |
Knickerbocker Arena - Albany,
NY |
flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
|
1341. |
03/28/90 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
|
|
1342. |
03/29/90 |
Nassau Coliseum - Uniondale,
NY |
flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9)
|
|
1343. |
03/30/90 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1344. |
04/01/90 |
The Omni - Atlanta,
GA |
flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools
|
|
1345. |
04/02/90 |
The Omni - Atlanta,
GA |
flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
|
|
1346. |
04/03/90 |
The Omni - Atlanta,
GA |
flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
|
|
1347. |
05/05/90 |
Cal State Dominguez Hills - Carson,
CA |
flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
|
|
1348. |
05/06/90 |
Cal State Dominguez Hills - Carson,
CA |
flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1349. |
06/08/90 |
Cal Expo - Sacramento,
CA |
flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1350. |
06/09/90 |
Cal Expo - Sacramento,
CA |
flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz
|
|
1351. |
06/10/90 |
Cal Expo - Sacramento,
CA |
flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1352. |
06/16/90 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1353. |
06/17/90 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1354. |
06/23/90 |
Autzen Stadium - University of Oregon - Eugene,
OR |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1355. |
06/24/90 |
Autzen Stadium, U. of Oregon - Eugene,
OR |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1356. |
07/04/90 |
Sandstone Ampitheatre - Bonner Springs,
KS |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
|
|
1357. |
07/06/90 |
Cardinal Stadium - Louisville,
KY |
flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
|
1358. |
07/08/90 |
Three Rivers Stadium - Pittsburgh,
PA |
flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16
|
|
1359. |
07/10/90 |
Carter-Finley Stadium - Raleigh,
NC |
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
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|
1360. |
07/12/90 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump
|
|
1361. |
07/14/90 |
Foxboro Stadium - Foxboro,
MA |
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1362. |
07/16/90 |
Rich Stadium - Orchard Park,
NY |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1363. |
07/18/90 |
Deer Creek Music Center - Noblesville,
IN |
flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
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|
1364. |
07/19/90 |
Deer Creek Music Center - Noblesville,
IN |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1365. |
07/21/90 |
World Music Theater - Tinley Park,
IL |
flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1366. |
07/22/90 |
World Music Theater - Tinley Park,
IL |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870
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|
1367. |
07/23/90 |
World Music Theater - Tinley Park,
IL |
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1368. |
09/07/90 |
Richfield Coliseum - Richfield,
OH |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1369. |
09/10/90 |
The Spectrum - Philadelphia,
PA |
flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
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|
1370. |
09/11/90 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1371. |
09/12/90 |
The Spectrum - Philadelphia,
PA |
flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller
|
|
1372. |
09/14/90 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1373. |
09/15/90 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1374. |
09/16/90 |
Madison Square Garden - New York,
NY |
flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC
|
|
1375. |
09/18/90 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details)
|
|
1376. |
09/19/90 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller
|
|
1377. |
09/20/90 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1378. |
10/17/90 |
GrugaHalle - Essen,
Germany |
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
|
1379. |
10/20/90 |
Internationales Congress Centrum - Berlin,
Germany |
flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools
|
|
1380. |
10/22/90 |
Festhalle - Frankfurt,
Germany |
flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
|
1381. |
10/27/90 |
The Zenith - Paris,
France |
flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
|
|
1382. |
10/28/90 |
The Zenith - Paris,
France |
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
|
1383. |
10/30/90 |
Wembley Arena - London,
England |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1384. |
10/31/90 |
Wembley Arena - London,
England |
flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
|
1385. |
11/01/90 |
Wembley Arena - London,
England |
flac16; 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC
|
|
1386. |
12/03/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
|
1387. |
12/04/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Source: 2 Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master Maxell Metal cassettes with Dolby on - Limiter off Transfer: Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
|
1388. |
12/09/90 |
Compton Terrace - Chandler,
AZ |
flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com
DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output
|
|
1389. |
12/12/90 |
McNichols Sports Arena - Denver,
CO |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1390. |
12/13/90 |
McNichols Sports Arena - Denver,
CO |
flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1391. |
12/27/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit
|
|
1392. |
12/28/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1393. |
12/30/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1394. |
12/31/90 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.
|
|
1395. |
02/19/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847
|
|
1396. |
02/20/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
|
1397. |
03/17/91 |
Capital Centre - Landover,
MD |
flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin
|
|
1398. |
03/20/91 |
Capital Centre - Landover,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
1399. |
03/21/91 |
Capital Centre - Landover,
MD |
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
|
1400. |
03/23/91 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1401. |
03/24/91 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
|
1402. |
03/25/91 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1403. |
03/27/91 |
Nassau Veterans Memorial Coliseum - Uniondale,
NY |
flac16; Fix of shn id 14486 - SBD -> Cm (Sony D5) -> Dat. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
1404. |
03/28/91 |
Nassau Coliseum - Uniondale,
NY |
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1405. |
03/29/91 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
|
1406. |
04/01/91 |
Greensboro Coliseum - Greensboro,
NC |
flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD
Transferred and Edited By Charlie Miller
|
|
1407. |
04/04/91 |
The Omni - Atlanta,
GA |
flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1408. |
04/07/91 |
Orlando Arena - Orlando,
FL |
flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1409. |
04/08/91 |
Orlando Arena - Orlando,
FL |
flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
|
1410. |
04/09/91 |
Orlando Arena - Orlando,
FL |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper.
|
|
1411. |
04/27/91 |
Sam Boyd Silver Bowl - Las Vegas,
NV |
flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel
|
|
1412. |
04/28/91 |
Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas,
NV |
flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20%
|
|
1413. |
05/11/91 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
|
1414. |
05/12/91 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; SBD -> Dat
Transferred and Edited By Charlie Miller
|
|
1415. |
06/01/91 |
Los Angeles Coliseum - Los Angeles,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1416. |
06/09/91 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit
|
|
1417. |
06/14/91 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:016816) Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN and Audience (shnid:094371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
|
1418. |
06/16/91 |
Giants Stadium - East Rutherford,
NJ |
flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
|
|
1419. |
06/17/91 |
Giants Stadium - East Rutherford,
NJ |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
|
|
1420. |
06/20/91 |
Pine Knob Music Theater - Clarkston,
MI |
sbd.dlseries#11.flac
|
|
1421. |
06/22/91 |
Soldier Field - Chicago,
IL |
flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1422. |
06/24/91 |
Sandstone Ampitheatre - Bonner Springs,
KS |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1423. |
06/25/91 |
Sandstone Ampitheatre - Bonner Springs,
KS |
flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage
|
|
1424. |
06/28/91 |
Mile High Stadium - Denver,
CO |
SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1
|
|
1425. |
08/12/91 |
Cal Expo - Sacramento,
CA |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
|
1426. |
08/13/91 |
Cal Expo - Sacramento,
CA |
flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
|
1427. |
08/14/91 |
Cal Expo - Sacramento,
CA |
Recorded by The Weasel - "Da Weez"
Transferred and mastered to .wav files by D5scott
Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes
Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1428. |
08/16/91 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
|
1429. |
08/17/91 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1430. |
08/18/91 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger
|
|
1431. |
09/05/91 |
Richfield Coliseum - Richfield,
OH |
flac16; sbd > dat > cassette > dat > cdr; Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed. Clipped Excess Blank/Silent Space at end of 1st & 2nd sets. Fixed Gap Between d1t01 & d1t02. Encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon. Checksums Rehashed & Verified w/TLH v2.7.1; Additional Editing & Coding By Joe "Terrapin" Barberi
|
|
1432. |
09/08/91 |
Madison Square Garden - New York,
NY |
flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2
|
|
1433. |
09/09/91 |
Madison Square Garden - New York,
NY |
flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
|
1434. |
09/10/91 |
Madison Square Garden - New York,
NY |
flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix
(65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)
|
|
1435. |
09/12/91 |
Madison Square Garden - New York,
NY |
flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
|
1436. |
09/13/91 |
Madison Square Garden - New York,
NY |
flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece
|
|
1437. |
09/14/91 |
Madison Square Garden - New York,
NY |
flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
|
1438. |
09/16/91 |
Madison Square Garden - New York,
NY |
flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke
|
|
1439. |
09/18/91 |
Madison Square Garden - New York,
NY |
flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
|
1440. |
09/20/91 |
Boston Garden - Boston,
MA |
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1441. |
09/21/91 |
Boston Garden - Boston,
MA |
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1442. |
09/22/91 |
Boston Garden - Boston,
MA |
flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz
|
|
1443. |
09/24/91 |
Boston Garden - Boston,
MA |
flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
|
1444. |
09/25/91 |
Boston Garden - Boston,
MA |
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
|
1445. |
09/26/91 |
Boston Garden - Boston,
MA |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1446. |
10/27/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit
|
|
1447. |
10/28/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit
|
|
1448. |
10/30/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit
|
|
1449. |
10/31/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit
|
|
1450. |
11/03/91 |
Polo Field, Golden Gate Park - San Francisco,
CA |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1451. |
12/27/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
|
1452. |
12/28/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
|
|
1453. |
12/30/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k)
All Transfers and Mastering By Charlie Miller
|
|
1454. |
12/31/91 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD->Satellite Feed->DAT>CDR->WAV->SHNv3->FLAC; fix of shn id 5921
|
|
1455. |
02/21/92 |
Club Front Studio - San Rafael,
CA |
Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.
|
|
1456. |
02/23/92 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017
|
|
1457. |
02/24/92 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1458. |
03/05/92 |
Hampton Coliseum - Hampton,
VA |
B&K4011's ORTF FOB On Stand (6 - 7 feet high)
>Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
|
|
1459. |
03/06/92 |
Hampton Coliseum - Hampton,
VA |
flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014
|
|
1460. |
03/12/92 |
Nassau Coliseum - Uniondale,
NY |
flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7
(lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F.
|
|
1461. |
03/13/92 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1462. |
03/17/92 |
The Spectrum - Philadelphia,
PA |
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1463. |
03/18/92 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
|
1464. |
03/20/92 |
Copps Coliseum - Hamilton,
ON |
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
|
1465. |
05/19/92 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1466. |
05/21/92 |
Cal Expo - Sacramento,
CA |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1467. |
05/25/92 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1468. |
05/31/92 |
Sam Boyd Silver Bowl, U.N.L.V - Las Vegas,
NV |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1469. |
06/11/92 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1470. |
06/12/92 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1471. |
06/14/92 |
Giants Stadium - East Rutherford,
NJ |
flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
|
1472. |
06/15/92 |
Giants Stadium - East Rutherford,
NJ |
flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC
Transferred and Edited By Charlie Miller
|
|
1473. |
06/18/92 |
Charlotte Coliseum - Charlotte,
NC |
flac16; SBD -> Dat -> CD
Transferred and Edited By Charlie Miller
|
|
1474. |
06/20/92 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488
|
|
1475. |
06/22/92 |
Star Lake Amphitheatre - Burgettstown,
PA |
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1476. |
06/23/92 |
Star Lake Amphitheatre - Burgettstown,
PA |
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1477. |
06/25/92 |
Soldier Field - Chicago,
IL |
flac16; SBD -> Dat -> CD
Transferred and Edited By Charlie Miller
|
|
1478. |
07/01/92 |
Buckeye Lake Music Center - Hebron,
OH |
flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1479. |
12/03/92 |
McNichols Sports Arena - Denver,
CO |
flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
|
1480. |
12/05/92 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
|
1481. |
12/06/92 |
Compton Terrace Amphitheatre - Tempe,
AZ |
flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools
|
|
1482. |
12/11/92 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007
|
|
1483. |
12/13/92 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
|
1484. |
12/16/92 |
Oakland-Alameda County Coliseum - Oakland,
CA |
sbd.dickspicks#27.flac
|
|
1485. |
01/24/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1486. |
01/25/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1
|
|
1487. |
01/26/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1
|
|
1488. |
02/13/93 |
Club Front - San Rafael,
CA |
Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano
|
|
1489. |
02/21/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV
|
|
1490. |
02/23/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
|
1491. |
03/10/93 |
Rosemont Horizon - Rosemont,
IL |
flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1492. |
03/11/93 |
Rosemont Horizon - Rosemont,
IL |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
1493. |
03/16/93 |
Capital Centre - Landover,
MD |
flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1494. |
03/17/93 |
Capital Centre - Landover,
MD |
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
|
1495. |
03/17/93 |
Capital Centre - Landover,
MD |
flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1496. |
03/24/93 |
Dean Smith Center - Chapel Hill,
NC |
flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1497. |
03/27/93 |
Knickerbocker Arena - Albany,
NY |
flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller
|
|
1498. |
03/31/93 |
Nassau Coliseum - Uniondale,
NY |
Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net
|
|
1499. |
03/31/93 |
Nassau Coliseum - Uniondale,
NY |
flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1500. |
04/01/93 |
Nassau Coliseum - Uniondale,
NY |
flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F.
|
|
1501. |
04/02/93 |
Nassau Coliseum - Uniondale,
NY |
SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3
|
|
1502. |
04/04/93 |
Nassau Coliseum - Uniondale,
NY |
flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
|
1503. |
05/16/93 |
Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas,
NV |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1504. |
05/21/93 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
|
1505. |
05/26/93 |
Cal Expo - Sacramento,
CA |
flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh
|
|
1506. |
05/27/93 |
Cal Expo - Sacramento,
CA |
flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
|
|
1507. |
06/05/93 |
Giants Stadium - East Rutherford,
NJ |
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
|
|
1508. |
06/06/93 |
Giants Stadium - East Rutherford,
NJ |
flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246.
|
|
1509. |
06/25/93 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1510. |
06/26/93 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1511. |
08/21/93 |
Autzen Stadium, University of Oregon - Eugene,
OR |
flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright
|
|
1512. |
08/22/93 |
Autzen Stadium, University Of Oregon - Eugene,
OR |
flac16; matrix of DSBD: shnid=562 and DAUD: shnid=97076 by hansokolow using ProTools
|
|
1513. |
09/08/93 |
Richfield Coliseum - Richfield,
OH |
flac16; Source:Audience Recording(Sony WM-D6C Cassette Deck)>Master Cassette>Nakamichi 300 Mics W/CP4 Shotguns> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Taper Section, Section 5,Row DD,Seat 1
|
|
1514. |
09/13/93 |
The Spectrum - Philadelphia,
PA |
flac16;
SBD -> Master Dat (48k)
All Transfers and Mastering By Charlie Miller
|
|
1515. |
09/16/93 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); This is a pitch corrected version of shnid 94226; SIRMick January 2018
|
|
1516. |
09/20/93 |
Madison Square Garden - New York,
NY |
flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
|
|
1517. |
09/21/93 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC
charliemiller87@earthlink.net
|
|
1518. |
09/22/93 |
Madison Square Garden - New York,
NY |
flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin
|
|
1519. |
09/28/93 |
Boston Garden - Boston,
MA |
flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14
|
|
1520. |
09/29/93 |
Boston Garden - Boston,
MA |
flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1
|
|
1521. |
09/30/93 |
Boston Garden - Boston,
MA |
flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Taper Section CC,Row 38,Seat 14
|
|
1522. |
12/08/93 |
Sports Arena - Los Angeles,
CA |
flac16; Recording Info: SBD -> Dat -> CD (Tascam CDRW700) Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1523. |
12/09/93 |
Sports Arena - Los Angeles,
CA |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1524. |
12/10/93 |
Sports Arena - Los Angeles,
CA |
flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1525. |
12/17/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1526. |
12/18/93 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1527. |
02/25/94 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
|
1528. |
03/16/94 |
Rosemont Horizon - Rosemont,
IL |
flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
|
1529. |
03/21/94 |
Richfield Coliseum - Richfield,
OH |
SBD > DAT > CDR > SHNv3; via johnathan miller, candyman
|
|
1530. |
03/23/94 |
Nassau Coliseum - Uniondale,
NY |
flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen
|
|
1531. |
03/24/94 |
Nassau Coliseum - Uniondale,
NY |
Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3.
Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
|
|
1532. |
03/27/94 |
Nassau Coliseum - Uniondale,
NY |
Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller
|
|
1533. |
03/28/94 |
Nassau Coliseum - Uniondale,
NY |
flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
|
1534. |
03/30/94 |
The Omni - Atlanta,
GA |
flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
|
1535. |
03/31/94 |
The Omni - Atlanta,
GA |
Recording Info:
SBD -> Dat
Transfer Info:
Dat (Sony R500) ->
Prodif Plus ->
Samplitude v6.0 ->
SHN
Encore Is Missing (I Fought The Law)
Transfered By Charlie Miller.
|
|
1536. |
04/01/94 |
The Omni - Atlanta,
GA |
flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage
|
|
1537. |
04/04/94 |
Sports Arena - Orlando,
FL |
SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L
|
|
1538. |
04/06/94 |
Miami Arena - Miami,
FL |
flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
1539. |
04/07/94 |
Miami Arena - Miami,
FL |
DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko
|
|
1540. |
07/02/94 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1541. |
07/03/94 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
|
1542. |
07/20/94 |
Deer Creek Music Center - Noblesville,
IN |
SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311
|
notes
|
1543. |
07/26/94 |
Riverport Amphitheatre - Maryland Heights,
MO |
flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
|
|
1544. |
07/26/94 |
Riverport Amphitheatre - Maryland Heights,
MO |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
|
1545. |
07/31/94 |
The Palace - Auburn Hills,
MI |
flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
|
1546. |
08/01/94 |
The Palace - Auburn Hills,
MI |
Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki
|
|
1547. |
08/03/94 |
Giants Stadium - East Rutherford,
NJ |
flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
|
1548. |
08/04/94 |
Giants Stadium - East Rutherford,
NJ |
flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
|
1549. |
09/17/94 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1550. |
09/27/94 |
Boston Garden - Boston,
MA |
flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
1551. |
09/28/94 |
Boston Garden - Boston,
MA |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1552. |
09/29/94 |
Boston Garden - Boston,
MA |
Dsbd>D>C>D>CD; Seeded to etree by Chris Larson
|
|
1553. |
10/01/94 |
Boston Garden - Boston,
MA |
flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
|
|
1554. |
10/02/94 |
Boston Garden - Boston,
MA |
flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
|
|
1555. |
10/03/94 |
Boston Garden - Boston,
MA |
flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller
|
|
1556. |
10/05/94 |
The Spectrum - Philadelphia,
PA |
flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts
|
|
1557. |
10/09/94 |
USAir Arena - Landover,
MD |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1558. |
10/10/94 |
USAir Arena - Landover,
MD |
flac16; Source: OTS/LOC/Audix shotguns > Sony WM-D6; Transfer: Nakamichi BX300 (Analog master) > AudioQuest Sidewinder Cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (tracking, added fades and normalize) > TLH (flac@8/ffp); Recorded, transferred and seeded by Bob Crupi
|
|
1559. |
10/11/94 |
USAir Arena - Landover,
MD |
flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) ->
SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
|
1560. |
10/13/94 |
Madison Square Garden - New York,
NY |
Seamless fix of shn id 33299 - SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
1561. |
10/14/94 |
Madison Square Garden - New York,
NY |
flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
|
1562. |
10/15/94 |
Madison Square Garden - New York,
NY |
flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs
|
|
1563. |
10/17/94 |
Madison Square Garden - New York,
NY |
DSBD>DAT>CDR shn encoding by Dan Carr
|
|
1564. |
10/18/94 |
Madison Square Garden - New York,
NY |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1565. |
10/19/94 |
Madison Square Garden - New York,
NY |
flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
1566. |
12/11/94 |
Oakland-Alameda County Coliseum - Oakland,
CA |
SBD>?>DAT>CD; Unknown seeder
|
|
1567. |
12/16/94 |
Sports Arena - Los Angeles,
CA |
flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT.
Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)
Extract Wav-> Flac Level 8-> Tagged (16/44.1).
Transfers by Pete Ebel.
|
|
1568. |
02/21/95 |
Delta Center - Salt Lake City,
UT |
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1569. |
02/24/95 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; FM SBD Monitor > MC > Cx > WAV > FLAC
|
|
1570. |
02/26/95 |
Oakland-Alameda County Coliseum - Oakland,
CA |
flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
|
1571. |
03/17/95 |
The Spectrum - Philadelphia,
PA |
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info:
Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1572. |
03/18/95 |
The Spectrum - Philadelphia,
PA |
flac16; Source: Audix shotguns > Sony WM-D6 (TDK SA-X type II/NR: on); Transfer: Nak BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
|
|
1573. |
03/19/95 |
The Spectrum - Philadelphia,
PA |
flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
1574. |
03/23/95 |
Charlotte Coliseum - Charlotte,
NC |
Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
|
|
1575. |
03/24/95 |
Charlotte Coliseum - Charlotte,
NC |
flac16; Main source: SBD > D> C> D> C2> D> CDR> FLAC; pitch fix of shnid 35181 by Bill Tetzeli
|
|
1576. |
03/26/95 |
The Omni - Atlanta,
GA |
flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage
|
|
1577. |
03/28/95 |
The Omni - Atlanta,
GA |
flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8
|
|
1578. |
03/29/95 |
The Omni - Atlanta,
GA |
flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
|
1579. |
03/30/95 |
The Omni - Atlanta,
GA |
flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1580. |
04/02/95 |
Pyramid Arena - Memphis,
TN |
flac16; Taper: Greg Holtz Source: Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8
|
|
1581. |
04/04/95 |
Jefferson Civic Center Coliseum - Birmingham,
AL |
flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac
|
|
1582. |
04/05/95 |
Jefferson Civic Center Coliseum - Birmingham,
AL |
AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L
|
|
1583. |
04/07/95 |
Tampa Stadium - Tampa,
FL |
flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
|
1584. |
05/20/95 |
Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas,
NV |
flac16 44.1khz Source Info:
FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete)
Transfer Info:
Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's)
Extract Wav-> Flac Level 8-> Tagged (16/44.1)
Transfers by Pete Ebel
|
|
1585. |
05/21/95 |
Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas,
NV |
flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
|
1586. |
05/24/95 |
Memorial Stadium - Seattle,
WA |
flac16; Source: Af:Nueman KM140>DAT(48kHz)
Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV
Tapes provided by Ross M.
Transfer by Chris Larson
|
|
1587. |
05/24/95 |
Memorial Stadium - Seattle,
WA |
flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC
|
|
1588. |
05/26/95 |
Memorial Stadium - Seattle,
WA |
flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16
Transfer by Chris Larson with tapes from Paul Gibian
|
|
1589. |
06/02/95 |
Shoreline Amphitheatre - Mountain View,
CA |
flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
|
1590. |
06/15/95 |
Franklin County Airport - Highgate,
VT |
flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger
|
|
1591. |
06/21/95 |
Knickerbocker Arena - Albany,
NY |
flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
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1592. |
06/24/95 |
Robert F. Kennedy Stadium - Washington,
DC |
flac 16 48kHz; Source: FOB AKG 300B/CK91 -> DAT -> DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8); Taper: Unknown:Transfer By: Scott Swayne (altheasboy) in 2007
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1593. |
06/25/95 |
Robert F. Kennedy Stadium - Washington,
DC |
flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
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1594. |
07/06/95 |
Riverport Amphitheatre - Maryland Heights,
MO |
flac16; Source: S:C>D>CDR
Conversion by Chris Larson. This version does not have the DAE step.
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1595. |
07/08/95 |
Soldier Field - Chicago,
IL |
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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1596. |
07/09/95 |
Soldier Field - Chicago,
IL |
flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
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